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About Last Night

Terry Teachout on the arts in New York City

TT: Mailbox

December 12, 2006 by Terry Teachout

– My Wall Street Journal column about the dance bust stirred up a fair amount of talk, most of it favorable and some of it from unexpected quarters. (Much to my surprise, for instance, the Little Professor commented on it at length.)


It also brought me an e-mail from a reader of “About Last Night” who showed the column to his cousin, who in turn wrote back as follows:

Thank you for forwarding this. Yes, he’s quite right–lots of the
companies I loved in my ballet-filled youth are gone, and all those
little girls taking ballet class have grown up to raise daughters who
take soccer and softball. I expect that the vast improvement in
after-school options for strong, athletically inclined girls is
actually all to the good; lots of talentless kids are no longer
clumping around in leotards. But I do miss the exciting froth of new
little companies putting on performances on a shoestring. In my
Chicago years I (briefly) did fund-raising and audience development for
the company which became the Chicago City Ballet, and I was so
impressed by the determination of these young people who had so little
common sense and so much passion for dance….

I love that last line. I’m not an idealist–life has made me fairly hard-headed–but I’m well aware that many, perhaps most of the great things that get done in this world, especially in the realm of art, are done by people with no common sense whatsoever. George Bernard Shaw described the Julius Caesar of his play Caesar and Cleopatra as “a man of great common sense and good taste–meaning thereby a man without originality or moral courage.”


Of course it’s more complicated than that, but those who (like me) lack a poetic streak should always be wary of condescending to those who don’t. If George Balanchine and Lincoln Kirstein had had any common sense, they wouldn’t have founded New York City Ballet.


– A reader writes, apropos of this posting:

Your posting brought to mind a winter night in Minneapolis more than forty years ago. While most people like to just lie still and savor the mood afterwards, this girl often felt like dancing. I can still remember her dancing naked in the moonlight coming in through the picture window of my apartment. The music? Smetana’s Moldau. So long ago, but so vivid!

Somehow that memory reminds me of this.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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