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About Last Night

Terry Teachout on the arts in New York City

TT: A clock without a key

May 4, 2006 by Terry Teachout

I take six pills a day and a seventh every other day. If I don’t, I’ll die, not right away–my cardiologist says I’m in great shape–but considerably sooner than I’d like. I don’t resent so modest a regimen, especially since I know lots of people who have to take two or three times as many pills as I do. When I think about it, I’m mainly grateful that six and a half pills a day, plus regular exercise and a sensible diet, are all it takes to keep me out of a coffin, at least for the present. Nevertheless, I’m having a certain amount of trouble adjusting to the fact that I’ve joined the ranks of those who can no longer take their health for granted.


For years I abused myself, though not in any of the more immediately devastating ways. Overwork and overeating were my tipples of choice, and whenever I indulged to excess, I simply laid off for a couple of days, after which I became my normal self once again. Or so I thought. Like most of us, I preferred to ignore the signals of impending doom that were starting to show up on my screen with increasing frequency, and on the morning when the roof fell in
and I was forced to call an ambulance in order to save what was left of my life, it had been at least two years–maybe more–since I’d last seen a doctor of any kind.


In short, I used to think I was bulletproof, and now I know I’m not. The best I can say is that I somehow managed last December to dodge a bullet aimed at my heart, and should I stop following doctor’s orders, the next one will almost certainly hit its target. So I take my pills twice a day, and each time I do, I hear the words Remember you must die in my mind’s ear.


Dame Muriel Spark, who died a couple of weeks ago after a long and artistically fruitful life, wrote a remarkable novel in 1959 called Memento Mori. It’s about a group of old people who, for no apparent reason, start to receive anonymous telephone calls from a person who says “Remember you must die” to them, then hangs up. The novel tells how each of the recipients of these mysterious calls is affected by them. Toward the end one of the characters makes the following remark, which has been much on my mind of late:

If I had my life over again I should form the habit of nightly composing myself to thoughts of death. I would practise, as it were, the remembrance of death. There is no other practice which so intensifies life. Death, when it approaches, ought not to take one by surprise. It should be part of the full expectancy of life. Without an ever-present sense of death life is insipid. You might as well live on the whites of eggs.

I don’t think my life was insipid prior to last December, but I’m pretty sure that I was taking large parts of it for granted, and I know I’d been abusing the work I love, in much the same way that a drunkard abuses the nectar that once added savor to his daily rounds. Yes, there were times when I pierced the veil and awoke to what Mr. Anecdotal Evidence calls the thisness of things, but those times were too rare, perhaps in part because I took for granted that I would be around for a long time to come.


Needless to say, I hope and expect to be around for a very long time to come. But twice a day, just like clockwork, I open my medicine cabinet, take out my seven-day pillbox, and swallow the tablets that remind me, whether or not I care to be reminded at that particular moment, that my clock, just like yours, is running down. I know there will always be stretches of my life that I take for granted–that’s in our nature–but until I die there will also be those twice-daily visits to the medicine cabinet to warn me, if I care to listen, that the night cometh, when no man can work. Or listen to music, or take a walk in Central Park, or linger over dinner with a friend and talk idly and happily about nothing in particular.


That’s a good thing to keep in mind, if not exactly a comforting one.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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