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About Last Night

Terry Teachout on the arts in New York City

OGIC: The royal Wes

March 30, 2005 by Terry Teachout

I was amused to discover, a few months after the fact, that none other than National Geographic interviewed Wes Anderson in December about The Life Aquatic with Steve Zissou. It’s a brief but entertaining softball toss, with Anderson fielding questions like “Did any Lord of the Flies stuff go on? Was there a conch shell?”


It’s been a couple of months now since I caught up with The Life Aquatic. After The Royal Tenenbaums I had just about given up on Anderson. I missed Bottle Rocket but enjoyed Rushmore, in no small part thanks to Bill Murray’s presence. But in Tenenbaums I couldn’t escape the feeling that I was being subjected to some overachieving ninth-grade geek’s school project: a lovingly and ingeniously detailed diorama, a thing to behold, but airless and unpeopled. Filled with stars, sure–but unpeopled. It made me want to pat him on the head and go home to read a simple book. When I got a load of the trailer for The Life Aquatic, it just screamed more of the same–a diorama with a Hollywood budget, heaven help us. The Tenenbaums’ townhouse taken to the nth degree. I was not hopeful.


To my surprise, however, The Life Aquatic was a pleasure. Even Owen Wilson…especially Owen Wilson? Could be. For whatever reason, I was able to take this movie seriously and even respond to it emotionally, despite the basic premise being even more precious and imaginatively labored than that of Tenenbaums. The closest I’ve come to figuring out the difference between it and its predecessor is this: animals. They’re ubiquitous in The Life Aquatic: real cats and dogs and invented fish, lounging in the background, trotting alongside the characters, populating the aqua. Animals don’t do irony, and for me their near-constant presence cut against that overweening irony Anderson is so prone to. Anderson loves deadpan, but these beasties out-deadpan the characters by a mile, with no disingenuousness about it. Maybe his next career move should be to drop those Wilson boys altogether and make some nature specials–I daresay National Geographic would get on board.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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