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About Last Night

Terry Teachout on the arts in New York City

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Archives for 2004

TT: Back where I come from

December 29, 2004 by Terry Teachout

I flew into LaGuardia at the blue hour, the moment when the city lights overlap with the fast-fading sunset. The air was full of translucent droplets of snow, diffusing the late-afternoon light still further, and as my cab rolled across the Upper East Side, down Museum Mile, and through Central Park, I thought, New York doesn’t even have to try to be beautiful–it just is. Of course the beauty of the blue hour means different things to different people, and sometimes even to the same person: I can imagine finding it either romantic or depressing, depending on my mood. Not currently being disposed to either extreme, I was content to call it beautiful and let it go at that.

The last sound I heard before I got in my rental car this morning and headed for the Smalltown city limits was a train whistle. My brother tells me that more freight trains have been passing through Smalltown lately, and though the tracks are halfway across town from my mother’s house, you can still hear the whistles loud and clear. My mother thinks they sound mournful, but I never thought so. They used to make me curious about the big world somewhere down the track, and now that I live in that big world, they remind me that I have things to do back there.

My kitchen table is usually piled high with mail when I come back from Smalltown, especially when I’ve been gone for a week or more, but this time there wasn’t a thing–it’s at the post office, waiting to be picked up. All I found were flowers in a vase and groceries in the refrigerator, courtesy of my adorable assistant, and in the absence of any visible signs of the urgent tasks that await me come morning, I decided to take the rest of the night off.

No doubt I’d have done better to roll up my sleeves and get cracking, especially since I have a piece to write, a sackful of mail to answer, a half-dozen theatrical previews to schedule, a dozen phone calls to make, and a houseguest arriving in the afternoon, immediately followed by a week’s worth of more or less nonstop activity. Still, it was a long day–I had to get up early in the morning, pack my bags, scrape the frost off the car, and drive all the way to the airport in St. Louis–and I had a feeling that I might possibly be better served by spending an hour or so reacquainting myself with the Teachout Museum, then curling up on the couch to watch a few of the episodes of What’s My Line? that my DVR harvested for me last week. So that’s what I’m doing, after which I mean to take a book to bed and read myself to sleep. Tomorrow will have to take care of itself, and if it doesn’t, that’s just too damn bad. Tonight is for me.

TT: Almanac

December 29, 2004 by Terry Teachout

“On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy. It is this largess that accounts for the presence within the city’s walls of a considerable section of the population; for the residents of Manhattan are to a large extent strangers who have pulled up stakes somewhere and come to town, seeking sanctuary or fulfillment or some greater or lesser grail. The capacity to make such dubious gifts is a mysterious quality of New York. It can destroy an individual, or it can fulfill him, depending a good deal on luck. No one should come to New York to live unless he is willing to be lucky.”


E.B. White, Here Is New York

TT: Hither (not yon!)

December 29, 2004 by Terry Teachout

Our Girl in Chicago is now on New York’s Upper West Side, napping on a couch in the middle of the Teachout Museum in preparation for just short of a week’s worth of nonstop partying and art consumption. (I was going to make her write this posting herself, but I think she needs a little REM sleep before the festivities commence.)


Later this evening we’ll be meeting Megan McArdle and the Mutant, respectively my tallest and shortest friends, for dinner at Good Enough to Eat, the official “About Last Night” hangout. If you’re in the neighborhood, stop by our table and kiss the rings!


More anon.

TT: Eastward bound

December 28, 2004 by Terry Teachout

That’s it from Smalltown, U.S.A. The next time you hear from me, I’ll be back at my desk on the Upper West Side of Manhattan. Don’t be surprised if I fail to post again until Wednesday, when Our Girl in Chicago joins me in New York for a week of mad hilarity (I can’t wait to see her start hitting the bars with Maud in tow). Oh, the humanity!


In the meantime, many thanks for all the e-mail you’ve sent in recent days. It’s nice to know you’re out there.


Later.

TT: Almanac

December 28, 2004 by Terry Teachout

“There is no bottom. There is no low. You never know what you’re going to see next. There’s no worst–it does amaze me what people do to other people, that’s what’s crazy about it–but there’s no worst. You know what I’m saying?”


Anonymous Chicago policeman (quoted in Connie Fletcher, What Cops Know)

TT: Almanac

December 27, 2004 by Terry Teachout

“Remember when a year felt like a long time?”


“I sure do.”


Craig Lucas, screenplay for The Secret Lives of Dentists (adapted from The Age of Grief, by Jane Smiley)

TT: They knew what they wanted

December 27, 2004 by Terry Teachout

Three recent searches that brought the searchers to “About Last Night”:


– “Where was John Betjeman born?”


– “The convention and genre on which reality TV draws.”


– “I was born when she kissed me. I died when she left me. I lived a few weeks while she loved me.” (And yes, I know where that quote comes from–do you?)

TT: Out from under

December 27, 2004 by Terry Teachout

The Great Blizzard of 2004 is officially over and done with. The snow has stopped falling and the ice has started melting, and my mother and I emerged from our brick-veneered cave a few hours ago, blinking at the bright sunlight, out of the house at long last to dine at a restaurant–Applebee’s, to be specific–for the first time since we’d holed up on Tuesday night. (Actually, my brother and I had slithered north on an inch-thick sheet of ice to pick up a present on Friday morning, but we lied and told my mother that the ice had already melted, so it didn’t count.) Instead of attending the various family gatherings that were called on account of snow, I stayed home, opened presents, ate leftovers and various regional delicacies, answered e-mail, and watched movies.

The presents under the tree included two showstoppers, one funny, the other touching. My brother gave me a framed check for one dollar, drawn on the City of Smalltown, U.S.A., and representing his entire salary as a city councilman for 2004. (It was a souvenir of my having made the very first contribution to his campaign fund.) In return, the rest of the family chipped in to buy him a plane ticket to Washington, D.C., where he’ll watch me be sworn in as a member of the National Council on the Arts and spend a couple of days doing the town. My mother is no longer up to that kind of long-distance traveling, so he’ll be the Teachout family’s official representative at the ceremony. Needless to say, tears were shed by more than one person in the room when that package was opened.

Among the regional delicacies that I’ve consumed since the snow started falling were a foot-long stick of summer sausage and a half-pound of hickory-smoked cheese from Esicar’s Old Hickory Smokehouse, two robust foodstuffs not readily available on the Upper West Side of Manhattan. I also bought and ate three GooGoo Clusters, the circular candy bar that is Nashville’s second most important contribution to American culture. So far the weather has stopped me from dining at Dexter Barbecue, but I’m hoping to gnaw on a rib or two before I hit the road.

I got an e-mail yesterday from my friend Laura, about whose wedding I posted last week. She saw what I wrote after she got back from her honeymoon in Branson, Missouri, and said she liked it (whew!). So, I gather, did a lot of other folks, including a reader of “About Last Night” who lives in Taiwan. It tickled me no end to know that my description of a small-town wedding in Missouri had been read and appreciated halfway around the world, and it also reminded me–as if I needed reminding–of how extraordinary an effect blogging has already had on the writing life.

I watched three films over the weekend that I hadn’t seen since their release, and one I’d never seen at all. My mother surprised me a few days ago by mentioned in passing that Mary Poppins was her favorite movie (who knew?), so we watched it on Christmas night, immediately following Miracle on 34th Street, which was new to me. I hadn’t seen Mary Poppins since my parents took me to a roadshow screening in Memphis in 1964, and was happily surprised by the effectiveness of the pre-digital animated effects (the songs are pretty damn good, too). We also watched Animal House, which my mother liked even more than Napoleon Dynamite. As for me, I hadn’t seen an uncut print of Animal House since my undergraduate days, and was delighted anew by all the clever little touches that time had wiped from my memory. (Remember how Fawn Lebowitz dies? In a kiln explosion.)

Best of all, though, was The Secret Lives of Dentists, which struck me as even better on a second viewing than when I saw it last winter, though I stand by what I wrote then:

Scarcely less impressive, and no less serious, is Alan Rudolph’s The Secret Lives of Dentists, an occasionally over-flamboyant but mostly straightforward study of the devastating effects of adultery on the marriage of two no-longer-young dentists (Campbell Scott and Hope Davis) so caught up in raising their children that they forget to love one another. Davis is shiveringly good as the guilty party, but Scott has the larger and more demanding part–nothing is harder than making an audience care about an emotionally inhibited character–and brings it off with self-effacing skill.

(The film to which I was comparing it, by the way, was Lost in Translation, and I wound up the review by commenting on American Splendor as well. What a month that was!)

Now, alas, the end of my stay is nigh. I have one day and night left, after which I fly back to Manhattan on Tuesday morning in order to greet Our Girl in Chicago on Wednesday afternoon, and I have to finish and file my “Second City” column for this Sunday’s Washington Post before I leave town. Naturally, I’ve been putting it off. I hate working in Smalltown. (Blogging isn’t work.) But I don’t dare procrastinate any longer, so I’m going to get up first thing in the morning–well, second thing–and do my duty.

When I leave, it’ll be with the usual mixed feelings. I have a million things to do in New York, and I’ll be more than ready to get back to my desk. I love my work–probably more than I should–and I love my friends with all my heart. I even love New York, though it took me long enough to admit it to myself. (I didn’t really make up my mind about New York until after 9/11.) It is the place of my real life, and increasingly of my memories as well. I won’t be surprised if I spend the rest of my days there, whereas it isn’t likely that I’ll ever again spend more than a week or two at a time in Smalltown. Yet this town, and this house, are what I think of when I think of home.

As I write these words, I’m listening to a record by a friend of mine, a Brazilian singer who lives in New York and became an American citizen earlier this year. Right now she’s in São Paulo visiting her family, and I know her heart is as cloven as mine. I asked her once what language she dreamed in. “English, mostly,” she said, “but with an accent.” So, too, do I dream in and of New York—but with an accent.

When do we acquire the grace to feel at home where we are? Do we ever? Or can we do no better than to make a home for our own children, who will grow up and do the same for their children? I wrote those words in 1991, a few years after I moved to New York. I still can’t answer any of the questions I asked back then, perhaps because I have no children for whom to make a home, and now wonder whether I ever will. More and more I find myself wondering, too, what home means, and where it is. Yet at least I know where it used to be. Not everyone knows half as much.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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