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About Last Night

Terry Teachout on the arts in New York City

TT: Close quarters

February 24, 2004 by Terry Teachout

A reader writes:

I enjoy your reviews in the Journal even if most of the shows don’t make it to Minnesota and we don’t make it to NYC often.


My wife & I went to the Producers at the St. James on Feb 14. I liked the show (she loved it) but I was very uncomfortable throughout the show with the closeness of the seats. I’m 6’2″ and was jammed into the seat. My shins had dents from the seat in from of me and every time the woman leaned back it mashed my shins. My knees stuck over the top of her seat. My back also hurt too. I’ll never go back to that place again. The play was not worth the pain.


Here’s my questions:


(1) Are all Broadway seats that close?


(2) Did they add extra rows in the theatre to sell more tickets?


(3) Are the seats better on the floor? We sat in Mezzanine N 15 & 17.


(4) Am I the only one to complain?


I work for an airline and so don’t expect too much room but it was way too tight for comfort. Even my 5’2″ wife could not cross her legs.

Well said, sir. My answers:


(1) No–seat pitch varies widely from theater to theater–but some are way too close for comfort.


(2) I don’t know whether the St. James packed in additional seats for The Producers, but I wouldn’t be a bit surprised.


(3) I haven’t sat in the balconies of most of the major New York houses (critics always sit in the orchestra), but I do know some houses where the upstairs seats are appallingly cramped. I nearly had to call an ambulance a few years ago after spending an evening in the back row of the Vivian Beaumont, for example.


(4) Probably not, but I’ve never seen such a complaint in print, and so am happy to post yours. Send the management a letter!

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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