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About Last Night

Terry Teachout on the arts in New York City

OGIC: Comfort deferred

January 26, 2004 by Terry Teachout

Dear TT,


You asked here what books I turn to for comfort reading. My list overlaps with yours by one essential item, the Westlake/Stark double threat. Speaking of which, I loved your Dortmundrian almanac entry last week.


John D. Macdonald does very well for me too–although, since I find it hard to stop after just one or two, even getting started can mean courting some really catastrophic distraction from actual life. Series really fit this bill, don’t they? Several of your choices are series, strictly or loosely defined. There’s serious comfort in knowing that more of the same flavor is available for the asking, and imagining that the comfort zone can be indefinitely extended.


Elaine Dundy’s circa-1960 novels The Dud Avocado (based on her involvement with Kenneth Tynan) and The Old Man and Me (alas, almost impossible to find) are major stalwarts for me. I’ve read them each ten times at least, and have given away half a dozen copies of the former (most recently to cinetrix, so we’ll see what she thinks). Nobody I give it to ever likes it as much as I do, by the way–a source of ongoing amazement to me, but no damper on my proselytizing.


Jane Austen does the trick, as does M.F.K. Fisher. On the pricklier side, Mary McCarthy and Lorrie Moore–despite being more like a sharp stick in the eye than a warm blanket, the both of them. That big old David Thomson Biographical Dictionary of Film, of course. Robert Benchley. Joan Didion. Walter Scott. Robert Louis Stevenson.


Just thinking about this question makes me want to take a sick day. Sadly, that’s the last thing I can do anytime in the near future, and I won’t be blogging much in the next week either. The Friday deadline I’m facing is scary enough that I’m going to have to play the Luddite this week and shun the computer as far as possible. No comfort reading, no newfangled technology. Just me, a fistful of sharpened blue pencils, and a stack of defenseless manuscripts.


That’s the goal, anyway. I may weaken and poke my head in and out once or twice. If not, I’ll miss you and see you next week. We can talk some more about Freaks and Geeks and scenes from old movies (did I tell you I broke down and joined Netflix? So far, making the queue has been the best part. Well, it’s been the only part. But it was pure pleasure.)


XO, OGIC

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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