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About Last Night

Terry Teachout on the arts in New York City

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Archives for 2003

TT: A gaffe is when someone tells the truth

November 25, 2003 by Terry Teachout

Everybody in the theater business is going to be talking about this New York Times interview with Ned Beatty, who is co-starring (brilliantly) with Ashley Judd and Jason Patric in the current Broadway revival of Cat on a Hot Tin Roof:

Ned Beatty is a movie star himself, though not the big box-office kind. And he says Broadway has come to rely too heavily on celebrities, thrusting them into challenging roles they do not have the acting chops to handle.


Tucking into a plate of shrimp scampi after a recent matinee — hold the angel-hair pasta, per the Atkins diet, please — Mr. Beatty engaged in a candid assessment of his co-stars. He said he very much liked his glamorous colleagues personally: Mr. Patric, best known for the film “After Dark, My Sweet,” and Ms. Judd, who starred in “Ruby in Paradise.” He simply thinks, he said, that they are ill equipped for their parts: Brick, a brooding, boozing former athlete mourning his friend’s death, and Maggie, his long-suffering wife who craves his attention.


Mr. Beatty said of Ms. Judd: “She is a sweetie, and yet she doesn’t have a whole lot of tools. But she works very hard.”


And of Mr. Patric: “He’s gotten better all the time, but his is a different journey.”

Read the whole thing here, instantly.

TT: I even managed to quote Santayana

November 25, 2003 by Terry Teachout

My Wall Street Journal piece about Warner Bros.’ Looney Tunes Golden Collection is in print, as of this morning. Here’s a snippet:

“What an ultramaroon.” “You’re…dethpicable.” “Hmm. Pronoun trouble.” “Of course you know this means war.”


Ring any bells? No? Well, try this one on for size: “Ehh, what’s up, doc?”


If that phrase doesn’t make you feel like gnawing a carrot, you’re probably not a likely buyer of “Looney Tunes Golden Collection,” a four-DVD set containing 56 of the finest Warner Bros. cartoons from the golden age of big-studio animation. Otherwise, get ready to laugh yourself silly.


The Warner animated shorts of the ’40s and ’50s have long been a gaping hole in the fast-growing DVD catalogue. No more. Now you can revel in crisp, clear prints of such classic cartoons as “Rabbit of Seville” and “Duck Dodgers in the 24 1/2th Century,” plus a full set of the bells and whistles without which no self-respecting DVD set is complete….


The future of animation belongs to the wizards of Pixar, and the day will surely come when they triumph over their computer-enhanced technique instead of being swamped by it. But when the last ink bottle is empty and the last paint brush has been put away for good, Bugs and Daffy will still be with us, one sly, the other spluttering, just as Wile E. Coyote will never stop chasing the Road Runner. They are as obsolete as a silent movie by Buster Keaton–and as imperishable.

There’s lots more where that came from. Read the whole thing here.


If for some inexplicable and unacceptable reason you haven’t yet purchased Looney Tunes Golden Collection, purge yourself by clicking here.


Don’t be an ultramaroon–do it now.


P.S. If that’s not enough to hold you for one day, 2 Blowhards has a really smart post on Looney Tunes: Back in Action.

TT: Don’t read the whole thing there!

November 25, 2003 by Terry Teachout

A witty, well-read reader with a macabre streak who noted my dislike of Dickens e-mailed me the following excerpt from Evelyn Waugh’s A Handful of Dust, a favorite book I haven’t revisited for a number of years:

One day, running his thumb through the pages of Bleak House that remained to be read, Tony said, “We still have a lot to get through. I hope I shall be able to finish it before I go.”


“Oh yes,” said Mr. Todd. “Do not disturb yourself about that. You will have time to finish it, my friend.”


For the first time Tony noticed something slightly menacing in his host’s manner. That evening at supper, a brief meal of farine and dried beef, eaten just before sundown, Tony renewed the subject.


“You know, Mr. Todd, the time has come when I must be thinking about getting back to civilization. I have already imposed myself on your hospitality for too long.”


Mr. Todd bent over his plate, crunching mouthfuls of farine, but made no reply.


“How soon do you think I shall be able to get a boat?…I said how soon do you think I shall be able to get a boat? I appreciate all your kindness to me more than I can say but…”


“My friend, any kindness I may have shown is amply repaid by your reading of Dickens. Do not let us mention the subject again.”


“Well I’m very glad you have enjoyed it. I have, too. But I really must be thinking of getting back…”


“Yes,” said Mr. Todd. “The black man was like that. He thought of it all the time. But he died here…”

If you know the book, you know the moral of the story. Terrible things can happen to those who read Dickens! Don’t let them happen to you….

TT: Those who cannot do, write novels

November 25, 2003 by Terry Teachout

Apropos of all our recent postings on Master and Commander: The Far Side of the World, a reader sent me this wonderful story from the San Francisco Chronicle about Patrick O’Brian, on whose Aubrey-Maturin novels the film was based:

The vivid, seafaring novels of Patrick O’Brian have been getting lots of attention since the release of the big-budget movie “Master and Commander.” And they were doing all right without the movie: According to O’Brian’s editor at Norton, Starling Lawrence, even before the movie came
out O’Brian’s books sold 4 million copies. “We’re not exactly under a rock,” he says.


But as popular as the tales of Lucky Jack Aubrey and his notoriously unseaworthy friend and shipboard physician Stephen Maturin are among readers, they are especially revered by real wind-and-mast sailors. To them, O’Brian speaks the secret code of the sheeted main, the furled jib and the main topgallant staysail.


“I’ve sailed all my life,” says Bay Area venture capitalist Tom Perkins, speaking by phone from his vacation home in England, “and O’Brian never
made a mistake about the wind or the sails.”


Which is why it was such a surprise that when Perkins took O’Brian on an extended sailing trip, he had a startling revelation. O’Brian didn’t have a clue about how a sailboat worked.


“That was the amazing thing,” Perkins says today, still a little incredulous. “He didn’t know anything about sailing.”…

Read the whole thing here.

TT: Almanac

November 25, 2003 by Terry Teachout

“I am sad today over the death of Lady Elgar. I am very fond of Edward, and I know that, whatever people may say, to a man of his fine and sensitive nature, the severance of a long tie like this must inevitably mean much bitterness and suffering, much dwelling in the past and self-reproach. We always seem heavy debtors to the dead: we feel they have not had their chance and that life has given us an unfair advantage over them.”


Ernest Newman, letter to Vera Newman, Apr. 7, 1920

TT and OGIC: New around here, stranger?

November 25, 2003 by Terry Teachout

It’s another mega-heavy-traffic day here at “About Last Night,” meaning it’s more than likely that some of you are visiting us for the first time. To find out more about where you are and who we are, click here to read an archived posting that tells all. Or simply work your way down the right-hand column, which is crammed full of information about this page and its two co-bloggers.


Either way, we’re delighted you stopped by. If you liked what you saw, come back tomorrow…and bring a friend. The easy-to-remember alternate URL is www.terryteachout.com, which will bring you here in a jif (as, of course, will the longer address now visible in your browser).


Welcome.

TT: Which Edward Gorey book are you?

November 25, 2003 by Terry Teachout

Go here to find out, if you dare. (I wanted to be The Lavender Leotard, naturally, but it seems I’m The Gashlycrumb Tinies, sigh.)

TT: Other rooms

November 25, 2003 by Terry Teachout

I’ve always had mixed feelings about Joni Mitchell, a greatly gifted artist to whom I no longer warm, in part because of her self-absorption and humorlessness. (The older I get, the more distance I try to put between myself and anyone who lacks a sense of humor.) Yet once in a while a song of hers bobs to the surface of my consciousness–usually because somebody else is singing it–and I remember why I used to spend hours and hours listening to her music, back when the world was young.


I mention this because a jazz musician I know has been singing “Black Crow” (from Hejira), and now I can’t get its angular tune and strangely off-center harmonies out of my head:


There’s a crow flying

Black and ragged

Tree to tree

He’s black as the highway that’s leading me

Now he’s diving down

To pick up on something shiny

I feel like that black crow

Flying

In a blue sky


I took a ferry to the highway

Then I drove to a pontoon plane

I took a plane to a taxi

And a taxi to a train

I’ve been traveling so long

How’m I ever going to know my home

When I see it again

I’m like a black crow flying

In a blue, blue sky


I love the Great American Songbook with all my heart–and yet there are so many other songs that long to be played and sung. This is one of them.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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