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About Last Night

Terry Teachout on the arts in New York City

Under the radar

September 23, 2003 by Terry Teachout

If you’ve already read and enjoyed James McManus’
Positively Fifth Street: Murderers, Cheetahs, and Binion’s World Series of Poker, published earlier this year, pardon me for wasting your time. If not, do. I’ve never played a hand of poker in my life, but I love reading about high-stakes gambling, and this book, in which a teacher who gambles on the side tells how he went to Las Vegas to cover the World Series of Poker for Harper’s Magazine and ended up as one of the finalists, is one of the best books ever written on the subject.


Not the best, you understand. Positively Fifth Street isn’t as lucidly elegant as A. Alvarez’s The Biggest Game in Town, as desperate as Jesse May’s Shut Up and Deal, or as disturbing as Jack Richardson’s Memoir of a Gambler. McManus’ prose can be ostentatiously eggheady, enough so that I wish the manuscript had been extensively bluepenciled prior to publication. Nevertheless, Positively Fifth Street is still hugely entertaining, especially for those of us railbirds who’ve never gotten any closer to a high-stakes game than renting The Cincinnati Kid, and I recommend it highly.


It happens that I was rereading McManus’ book yesterday, and ran across a passage I hadn’t noticed the first time I read it. He comes by his eggheadiness honestly–he teaches at the School of the Art Institute of Chicago–but I was still surprised by this passing observation. Noting that the World Series contestants are diverse by any possible standard, he adds:

Because the evidence before my eyes says the World Series of Poker has evolved from its good-old-boy roots into a stronghold of, yes, functional multiculturalism, proving if nothing else that there is such a thing. Most of the academic versions, of course, have long since degenerated into monocultural zealotry, diverse as to race or gender but in almost no other respects. The term has even taken a pejorative cast of late, correctly associated with tenured politicians swimming in schools of resentment, apparently aiming to prove that ideology is indeed a form of brain damage.

As my younger friends say, woah! Erin O’Connor herself couldn’t have put it much better.

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Terry Teachout

Terry Teachout, who writes this blog, is the drama critic of The Wall Street Journal and the critic-at-large of Commentary. In addition to his Wall Street Journal drama column and his monthly essays … [Read More...]

About

About “About Last Night”

This is a blog about the arts in New York City and the rest of America, written by Terry Teachout. Terry is a critic, biographer, playwright, director, librettist, recovering musician, and inveterate blogger. In addition to theater, he writes here and elsewhere about all of the other arts--books, … [Read More...]

About My Plays and Opera Libretti

Billy and Me, my second play, received its world premiere on December 8, 2017, at Palm Beach Dramaworks in West Palm Beach, Fla. Satchmo at the Waldorf, my first play, closed off Broadway at the Westside Theatre on June 29, 2014, after 18 previews and 136 performances. That production was directed … [Read More...]

About My Podcast

Peter Marks, Elisabeth Vincentelli, and I are the panelists on “Three on the Aisle,” a bimonthly podcast from New York about theater in America. … [Read More...]

About My Books

My latest book is Duke: A Life of Duke Ellington, published in 2013 by Gotham Books in the U.S. and the Robson Press in England and now available in paperback. I have also written biographies of Louis Armstrong, George Balanchine, and H.L. Mencken, as well as a volume of my collected essays called A … [Read More...]

The Long Goodbye

To read all three installments of "The Long Goodbye," a multi-part posting about the experience of watching a parent die, go here. … [Read More...]

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