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For What It's Worth

Michael Rushton on pricing the arts

Art in Turbulent Times

February 24, 2025 by Michael Rushton 5 Comments

Recently artsjournal.com shared a lengthy piece by composer and musician Jonathan Blumhofer, on the arts in times of political unrest. Although you will see I disagree with its message, it is a thoughtful and considered piece. After a discussion of the complex, to say the least, relationship between conductor Wilhelm Furtwängler and the Nazis, he writes: Furtwängler and his Brahms performance have been on the mind of late as the balance of power has shifted in our nation’s capital and a neo-authoritarian lurch seems imminent. Granted, … [Read more...]

On art and the pursuit of power

February 11, 2025 by Michael Rushton Leave a Comment

The arts themselves, as I considered the matter, by their ultimately sensual essence, are, in the long run, inimical to those who pursue power for its own sake. Conversely, the artist who traffics in power does so, if not necessarily disastrously, at least at considerable risk. A Buyer's Market (1952). … [Read more...]

A few words from your friendly neighbourhood Canadian: updated

February 2, 2025 by Michael Rushton 6 Comments

This is a blog about arts management and policy. But as someone who has led many students through the basics of international trade, and as your resident Canadian, I'm going to use this space for a few words on the current state of relations across the 49th parallel. As bad as things are in the current tariff dispute, I don't think it's the worst thing happening right now. Targeting vulnerable groups is cruel, and worse. Recent Cabinet appointments are as unqualified as one could possibly imagine (under an administration claiming a … [Read more...]

What is public funding of the arts for?

January 2, 2025 by Michael Rushton 3 Comments

Some Adam Smith as an appetizer… Consumption is the sole end and purpose of all production; and the interest of the producer ought to be attended to, only so far as it may be necessary for promoting that of the consumer. The maxim is so perfectly self-evident, that it would be absurd to attempt to prove it. Now to the present. Nashville’s WPLN public radio reports on a dispute at the city’s Metro Arts agency: The debate can be summed up like this: should Metro Arts focus its grantmaking on individual artists or arts … [Read more...]

On owning many books

December 27, 2024 by Michael Rushton 4 Comments

"He [Gabriel Oak] also thought of plans for fetching his few utensils and books from Norcombe. The Young Man’s Best Companion, The Farrier’s Sure Guide, The Veterinary Surgeon, Paradise Lost, The Pilgrim’s Progress, Robinson Crusoe, Ash’s Dictionary, and Walkingame’s Arithmetic, constituted his library; and though a limited series, it was one from which he had acquired more sound information by diligent perusal than many a man of opportunities has done from a furlong of laden shelves." Thomas Hardy, Far from the Madding Crowd … [Read more...]

Even Richard Nixon has got Soul

December 12, 2024 by Michael Rushton 5 Comments

(January 24, 1970, Richard Nixon in Philadelphia to present the Presidential Medal of Freedom to Eugene Ormandy: AP photo). A few days ago I wrote about a post by Thomas Wolf on public arts support in the US - I focused on what he said about the income tax deduction for charitable donations as an “indirect” arts policy. Not to get all obsessive about his post (most of which is unobjectionable!) there was one more thing that struck me. He wrote: In 1977, the U.S. Congress’s appropriation for the National Endowment for … [Read more...]

On the ingratitude of artists receiving a guaranteed income from a benefactor

December 11, 2024 by Michael Rushton Leave a Comment

(“Vanessa Bell in a Deckchair” by Roger Fry) From Robert Skidelsky, John Maynard Keynes 1883-1946, Economist, Philosopher, Statesman: The autumn of 1925 found Keynes, as usual, complaining of overwork (‘too much to do, no leisure, no peace, too much to think about…’). A substantial commitment was organising the London Artists’ Association, in homage to both art and friendship. The idea was to give the leading Bloomsbury painters and their protégés - a group headed by Duncan Grant, Vanessa Bell and Roger Fry - a guaranteed income, so … [Read more...]

On “indirect” support for the arts

December 10, 2024 by Michael Rushton 5 Comments

Thomas Wolf has posted a short piece on the history of the National Endowment for the Arts, whether it is likely to survive the coming second Trump administration, and the tax deduction for charitable contributions. I’m going to focus on that last bit… People who itemize their income tax deductions can claim contributions to registered charities. Wolf writes: The U.S. government does play the role of support to many sectors including the arts and it does so at a much higher level than other countries by almost any measure. But … [Read more...]

Art, Politics, Trump

December 5, 2024 by Michael Rushton Leave a Comment

A favourite old book of mine from my childhood is Kenneth Clark’s Civilisation, which goes along with his television series. It is old-school history of western civilisation, observant and wise. In his first chapter he travels to those monasteries around Ireland and Great Britain - Skellig Michael, Iona, Lindisfarne (pictured above) - where in the sixth and seventh centuries monks were able to preserve and to create great works of writing and art, saving them from the Viking invaders. The Vikings possessed great energy and courage, and … [Read more...]

Music and Wellness

December 1, 2024 by Michael Rushton Leave a Comment

Daniel Levitin has a short article in Wired on the future of music, therapy and well-being. I do not like it. Preliminary: Levitin is James McGill Professor Emeritus of Psychology and Neuroscience at McGill University, and the author of many books - I came to know him long ago for his This is Your Brain on Music. In terms of people who are very smart about the science of what is happening with our little grey cells when we listen to a song, he must rank as one of the top. More preliminary: in the article, he … [Read more...]

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Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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Recent Comments

  • antonio c. cuyler on Should we subsidize arts consumers, art producers, or neither?: “As a form of indirect funding, the federal government has equitably afforded all cultural nonprofits tax exemption and the ability…” Jul 5, 14:16
  • Paul Kassel on Should we subsidize arts consumers, art producers, or neither?: “I think the goal of public art policy is the creation of art by, for, and of the people. Resources…” Jul 3, 07:24
  • Carlo on What to do with the NEA? Make it Conservative?: “The Kennedy Center is offering $25 tickets in only select orchestra seating for the performances of Washington National Opera: Porgy…” May 20, 14:17
  • Carlo on Art in Turbulent Times: “The Kennedy Center today is selling discounted tickets for the Washington Opera for $20.” May 1, 21:31
  • Montague Gammon III on Art in Turbulent Times: “We would like to think that a Trumped Kennedy Center would experience a significant downturn in attendance, but we should…” Apr 22, 05:51
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