I’ve been working on a presentation on the language of music advocacy for the Ithaca College School of Music convocation next week, and as always when I prepare something for public presentation, I attain a focus not possible in day-to-day discourse. Also, this past week I attended and gave a presentation to the Network of Career Development Officers (NETMCDO) in New York, at the Manhattan School of Music. Hearing the many issues discussed there, most especially career challenges for emerging graduates, contrasted with my work on the IC presentation. Let me explain. #
The contrast (I’m avoiding the word, conflict) involves the altruistic route for emerging musicians of finding ways to connect the power of music to people (of all types) in their communities v. finding a way to “commercialize” what you do well and love. The latter route here may indeed include altruistic elements, but only accidentally. #
In my opinion, unless we concentrate on demonstrating the power of music to transform, on connecting to people who are surrounded by music, but not touched by it, we travel a lonely road. Please let’s start with this urge, then explore and find ways to support ourselves. Otherwise we risk gimmickry and ultimate failure. #

Recent Comments
Linda Essig on Entrepreneurship in Music and the Arts Project Evaluation
Jim: Last week, Steve Blank continued his evangelism for the lean launchpad approach, writing "Why the Lean Start-Up Changes Everything" for...Ron Davis on Entrepreneurship in Music and the Arts, Class Planning
Jim- speaking as an independent jazz musician, in a rich arts market (Toronto), I must respectfully disagree with your ...Michael Millar on Entrepreneurship in Music and the Arts, Class Planning
Looks great, Jim! Your students will be fortunate to have this experience.Comrade remimakinde on Defining Entrepreneurship in the Arts
i am currently wrting a paper on "character development in art entrepreneurship:the factor of nigerian folktales", your blog is more...Puiu on Class II Planning, Entrepreneurship in Music and the Arts
Entrepreneurship is really important if they want to actually succeed at anything, not only promoting their own creations. Just by...Linda Essig on Working Definition of Entrepreneurship
Jim: I posted something on Creative Infrastructure that speaks, at least a little bit, to this question of definition. I hope...Michael Ketner on Class II Planning, Entrepreneurship in Music and the Arts
Hi Jim. I agree that you should at least acknowledge the Zone One issue, if for no other reason...Sally Arnold on Class II Planning, Entrepreneurship in Music and the Arts
Jim, I am enjoying your articles. I remember many years having to give up a career as a flautist due...Linda Essig on Class One, Entrepreneurship in Music and the Arts
The second issue of Artivate focuses on arts entrepreneurship pedagogy. I hope you will find it useful: http://www.artivate.org/?p=317 ...Leah on Class One, Entrepreneurship in Music and the Arts
Nice post which the responses altered my thinking on the teaching of arts entrepreneurship to students to whom the topic...