Serious Popcorn: January 2008 Archives
I have never been a fan of Hillary Clinton. But I will scream if one more pundit equates her now famous eye-moistening episode with her response to Scott Spradling's question about "the likeability factor" in the most recent Democratic primary debate.
The eye-moistening episode was not her finest moment. She did not cry, and it was a long way from a tantrum, but it smacked of one. She was saying, in effect, "I care more than they do, I'm better than they are, and I deserve to win. And if I don't, I'll cry." By itself, it would keep me from voting for her (if I did not already have other reasons).
The debate moment, on the other hand, won me over (for a fleeting second). To a patronizing question, one that I doubt would be asked of a male candidate, Clinton came back with a sly, kittenish, screw-you expression on her face: "Well, that hurts my feelings. But I will try to bear up." I wasn't in the room when this occurred, but I could hear the laughter, and my husband called out, "Hillary just did something brilliant." He was right: it was a brilliant stroke, intended to mock both the question and the questioner.
This was acknowledged by the talking heads right after the debate, but a day or two later, Chris Matthews boneheadedly ignored the ironic nature of Clinton's retort and equated it with the tears of New Hampshire. Then all the other boneheads piled on, and this dumb factoid is now bouncing around the media echo chamber.
Unfair. If the pundits can't detect irony any better than that, then they deserve to be exiled to the same howling, no-Blackberry-service desert as the pollsters who tried to persuade my fellow New Englanders how to vote. So there!
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Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
Fresh ideas on building arts communities
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog