Serious Popcorn: September 2005 Archives

A friend writes with this question:

"Have you seen the new 'thing' in Hollywood, the 'let's see how far we can go before we are told we are crass' comedies like 40 Year-Old Virgin and Wedding Crashers? God they are, at times, insanely funny, but I couldn't help but think that they are pushing the envelope in a pretty big way ... I went with my 16-year-old son to Virgin, and I am certain he wished he were with ANYONE other than his dad."

I confess to having deliberately missed these, due to extreme prejudice against Hollywood wanker humor that
goes back several years, when I bailed out of Something About Mary, and would have done the same with the original American Pie if I hadn't been a guest at the house of friends who insisted on watching it with their young teenage kids. On this occasion I was definitely on the side of all awkward 16-year-olds.

But before you cast me as the Church Lady, consider my delight in the fourth segment of Jim Jarmusch's little known Night on Earth (1991). You don't have to sit through the whole five segments about taxi drivers and their nighttime passengers in five different cities. Just cut to the one in which a Roman cabby (played by Roberto Benigni in his prime) picks up a gloomy elderly priest (Paolo Bonacelli) who agrees, against his better judgment, to hear the cabby's confession. The whole thing is in very bad taste, I assure you. But my rule is: when it gets that funny, it can be as gross as it wants.

September 11, 2005 8:35 PM | | Comments (0)

Normally I would not presume to choose a theme song for what's happening right now, but...

September 3, 2005 6:26 PM | | Comments (0)

After yesterday. I don't believe I'll watch CNN again for a long time. Aaron Brown's bosom can heave all it wants about "race and class" in flood-ravaged New Orleans; his sighs look hypocritical against that endlessly looping clip of a demented-looking black man woofing at the camera by the Superdome.

Some negative images are newsworthy - looting and dead bodies, for example. We don't want to see them, but up to a point, we must.

But why this guy? Why, out of thousands of people in and around the Superdome, did CNN choose to put a face on the suffering with this bad imitation of "crunk" rapper Lil Jon? Is it because crunk just happens to be the most popular style of rap in the country right now? Is CNN is competing with MTV?

Say it ain't so, Aaron. Your bosom heaves so professionally, I almost forget that your reporters can't seem to make contact with any of the thousands of ordinary people enduring the hunger, thirst, filth, heat, and desperate anxiety of this terrible week. Like President Bush staging a Bill Clinton bear hug with two young girls who despite their brown skin were not African Americans, your intrepid reporters seem incapable of stepping across the divide and actually interacting with "them."

Everyone's bashing the public sector this week, but one of the things it has been doing right is cover this story. In one hour last evening, PBS's "Newshour with Jim Lehrer" reported more about the crisis than ten hours of CNN. Not only did they interview a real reporter, Peter Slevin of the Washington Post, who left the CNN folks bobbing in his wake, they also found some down-to-earth, sensible African Americans to testify what they were going through. Let's hear it for bold investigative reporting!

September 3, 2005 10:54 AM | | Comments (1)

Soundtrax

The Other Aaron's Choice 

Normally I would not presume to choose a theme song for what's happening right now, but...

more trax

Me Elsewhere

Blogroll

About this Archive

This page is a archive of recent entries written by Serious Popcorn in September 2005.

Serious Popcorn: August 2005 is the previous archive.

Serious Popcorn: October 2005 is the next archive.

Find recent content on the main index or look in the archives to find all content.

AJ Ads


AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.