Ottawa Jazz Festival

Jazz health, bright moments

All is not dismal in Jazzville: Producer George Wein has found a title sponsor — CareFusion — for his jazz festivals in Newport next month and New York City summer 2010. SFJazz has announced a stellar lineup including Ornette Coleman for its fall fest, Oct. 10 – Nov. 21.Â

As Mitch Myers reports from the 13-day 30th annual Festival International de Jazz de Montreal, diversity, provided by living legends and genuinely engaging younger talents, is the key. As James Hale reportedÂ from the just ended 11-day-long Ottawa Jazz Festival (as which he worked as a media consultant), “the personalities behind the music are as strong and creative as ever.”

So are festivals the future — or just the present — of jazz?

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Jazz “bloat” gone? Phoenix rising from ashes?

Forecasts vary in the wake of collapses of Jazz Times and the JVC Jazz Festivals. Brilliant Corners exults that mid-brow music is so over and revels in New York’s Vision Fest, while Jazz Chronicles asks what comes next — possibly something good?

I think it’s irresponsible and delusional to believe that the demise of successful mainstream enterprises like magazines, commercial festivals and oh yes, the International Association for Jazz Education, another bete noir of Brilliant Corners’ Boston-based Chris Rich (along with many others: baby boomers, jazz fusion, George Wein, Boston Jazz Week) is

a) a good thing, and
b) won’t affect smaller enterprises, whether individual musicians or collective avant-garde fests, not very far down the road. (Read Barbara Ehrenreich on the impact of the recession on the “already poor” and extrapolate: the Jazz Foundation of America is already trying to help more musicians in need with fewer dollars from donations).

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I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…