American vernacular music

Big Ears in the White House: Obama’s boomer soul, and predecessors

February 27, 2009 by Howard Mandel

Thanks to President Barack Obama, January-February 2009 has been a great time for American popular music. It's well known he's got big ears. But Pete Seeger, Bruce Springsteen and Herbie Hancock at the Lincoln Memorial, Aretha Franklin singing at the Inauguration, Paul Simon and Esperanza Spaulding among those paying tribute to Stevie Wonder, winner of the Library of Congress' Gershwin Prize -- who himself tore it up on "Superstition" and "Signed, Sealed and Delivered" -- at the White House!?! What other U.S. leader has so valued and spotlit … [Read more...]

I'm a Chicago-born and New York-based writer, editor, author, arts reporter/producer for radio including NPR, and nascent videographer -- for more than 30 years, a freelance arts journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association; my books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006) Read More…

Richard Kamins on Charlie Haden, anchoring free play
Excellent, heartfelt, tribute to a person who truly played every note with heart and soul.
Posted Jul 13, 2014
Reuben Jackson on Charlie Haden, anchoring free play
Beautifully said. Thank you.
Posted Jul 12, 2014
Bob Gluck on Charlie Haden, anchoring free play
Beautifully said, Howard. Charlie was one remarkable musician whose imprint strongly helped shape some of my favorite music of the...
Posted Jul 12, 2014
Howard Mandel on Jazz and beyond “jazz” — NYC to Chicago
Thanks Diane--"chapter" is right, as it indicates continuity.
Posted Jul 03, 2014
Diane Moser on Jazz and beyond “jazz” — NYC to Chicago
Good luck Howard on your new chapter in life! Diane
Posted Jul 03, 2014

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt Shipp's mug can be wide open, inquisitive, or guardedly blank, his … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. In 1990 I interviewed drummer Rashied Ali for The World According to John Coltrane, a documentary produced and directed by Toby Byron. It was the first but not … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]

Joe Zawinul at 65, The Wire

Interview with Joe Zawinul, The Wire, 1996 JOE ZAWINUL AT 65 - © Howard Mandel 1996 Joe Zawinul has a loft in the Village, on the fifth floor of a modest elevator building that also houses the controversial human rights-monitoring law practice … [Read More...]