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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Jazz journalism and the NAJP’s arts journalism summit

The Jazz Journalists Association, of which I’m president, has hope to produce a nationwide conference on media transitions and how currently active professionals cope with them. Today’s National Arts Journalism Program’s summit raises many of the issues and even more questions that challenge my colleagues and I. So I’m going to do some live blogging here, posting a succession of comments while in the lecture hall of Columbia U’s j-school with about a dozen other journalists, watching the summit taking place at the USC Annenberg Center in LA. Here we go, starting with my reaction to the first hour of the summit’s content (the tech’s working pretty well!)  


So far, the discussion is based on an institutional level. I completely agree with the idea that arts journalists (and all journalists) must use new technology to penetrate the new media landscape. And I understand that I ought to today put aside my particular interests in advancing my specific “beat” and absorb this discussion as an arts journalist overall, not a writer addressing the specific problems of those facing prevailing editorial assumptions about the value of coverage for this beat itself. That is a task for my colleagues and I once we’ve mastered the new tech and new landscape. 

But I find the discussion of the most exciting possibilities (personally at NPR Music — since I’ve been a freelance arts reporter on air for NPR News for 23 years) somewhat disingenuous, or at least overlooking what the role of the actual creator of arts journalism — the journalist. Can freelancers participate in creating these new institutional platforms, or must we wait until they’re constructed and then hope to become staffers/contributors? Or do the new media offer independent consultants — bloggers, video makers, webcasters, etc. — any way to discover financial support for ourselves as individual critics/reporters establishing our own platforms, sites, etc? I hope this will be addressed as the day goes on.

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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