On magazine's circulation figures
Jazz Times was credited with 100,000 circulation in virtually all press accounts of its recent transfer of ownership -- which with annual subscription rate of nearly $24 per year suggests annual income from readership alone (there's income from ads, too) easily be in excess of $2 million dollars.
But as I noted in my last posting, the circulation figure is not verified by the non-profit Audit Bureau of Circulation or anyone else. It comes from Jazz Times advertising department, which of course sells ads on the basis of how many eyeballs can be said to be perusing them. The whole question of jazz mag circulation is murky -- surprising, at a time when I can chart by the hour the exact number of hits of readers on this blog, and even figure out where they come from. Here is correspondence on jazz mag circulation claims I received from Frank Alkyer, the publisher of 75-year-old Down Beat magazine, Jazz Times' rival (which has a $26.99 annual sub rate for 12 issues; JT puts out 10 and an education supplement). Alkyer says Down Beat's circulation is currently 70,000.
Complete disclosure: I've written about pianist Hank Jones and saxophonist Sonny Rollins' cd Road Shows, Vol. 1 in Down Beat's August 2009 issue; I've contributed to DB since 1974 and worked as associate editor from 1978 into 1981. I remain on the masthead as a Senior Contributor. I've also written for JazzTimes and Jazziz magazines, Swing Journal and Jazz Life (Japan), The Wire and Jazzwise (UK), Jazzman (France) and Bravo! (Brazil), among others.DownBeat was ABC audited for a while in the '70s. It has not been audited in the time that I've been here. Neither was JazzTimes, neither is Jazziz. It's an expensive process, so I understand why. But there are some circulation claims out there that have made me scratch my head over the years. Notice that DB is the only one of the three magazine during the course of the last decade that has said its circulation numbers had decreased, and it's the only one still in business without interruption.We lost the circ because we made some missteps and had to correct some serious inefficiencies. In the last five years, we've gone to a one-price policy for subscribers (but we do still offer a student and professional rate). That cuts out confusion in the marketplace. We cut out ALL unprofitable circulation (deep-discounted subs from agencies and the like). We vastly improved efficiency on the newsstand, but gave up some sales in the process. We've turned our online subscription option into the fastest-growing portion of our business. . . And we launched a digital edition last year that is growing nicely for those readers who want their jazz magazine delivered to their desktop, not their doorstep. In short, we've made subscribing to DownBeat easy and give it to our readers through their preferred delivery system.The result has been growth in subs so far this year during the recession. It's slow growth, but it's nice.Like everyone, we're affected by the recession, but we are solid. And I see nothing but opportunity for this magazine in the coming years. And when I say magazine, I mean the print version, the digital edition, the web site and our e-newsletter, not to mention our book division and the hundreds of other ideas we've got rattling around, but haven't found time to execute yet.. . . We've got a nice, loyal readership. We don't overstate our circulation. We try to deliver a high-quality, creative magazine that is informative and entertaining. That ends my sales pitch.
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Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. more
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What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life?
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Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. moreContact me Click here to send me an email... more
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Jazz Beyond Jazz
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Jazz Journalists Association's Jazzhouse
Thelonius Monk Institute of Jazz
James Hale's Jazz Chronicles
The Bad Plus' Do The Math
Larry Blumenfeld's Listen Good
Fred Kaplan's Jazz Messenger
Doug Ramsey's Riffides
Hank Shteamer's Dark Forces Swing Blind Punches
Michael J. West's Pop Musicology
Tim Posgate's Canadian 'jazzlife'
David R. Adler's Lerterland
Dean Minderman's St. Louis Jazz Notes
Carl Wilson's cross-genre Zoilus
Darcy James Argue's Secret Society
David Ryshpan's Settled in Shipping
Dave Douglas's Greenleaf Music Blog
Pamela's Bebopified
Andrea Cantor's JazzInk
Kazue Yokoi's exblog (in Japanese)
Jazz.com
Bob Lewis' Jazz My Two Cents Worth
Marc Myers' Jazzwax
Bruno Leicht's Subjective Jazz Views
JazzCorner
AllAboutJazz
CelebStoner
U of Guelph's Improvisation, Community and Social Practice
Jazz Foundation of America
Bret Primack, Jazz Video Guy
Rock & Rap Confidential
Alex W. Rodriguez's Lubricity
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Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
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Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
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Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
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Out There
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Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
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Jerome Weeks on Books
Jerome Weeks on Books
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Scott McLemee on books, ideas & trash-culture ephemera
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Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
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Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
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Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
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John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
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Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog
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