Cecil Taylor at 80, part two: A brief review

Pianist Cecil Taylor -- who yesterday I might have described as "preeminent" rather than "predominant" -- read his erudite, sound-sensitive poetry in the first half of his sold-out 80th birthday concert at Merkin Hall, then performed solo sonatas for approximately 50 minutes. An infant in the audience occasionally cooing along with Taylor's precise diction made it difficult to catch every word (much less all the meaning) of his texts, filled as they were with the recondite references to biology, mathematics, Egyptian and Mayan civilization, yet some striking images and insightful thoughts emerged. 

Taylor's music at the piano, with the piano, was crystal clear. From a few measures of score he drew from a folder and propped within view but didn't further glance at, Taylor launched improvisations of impeccable and highly nuanced touch, complicated harmony and organic, balanced structures. His phrases often began as simple gestures or a few carefully selected notes, then stretched out with the evenness of breathing into full investigations and transformations of the nascent idea. And he has many, many ideas, demonstrating the infinite ways tones can be arranged, reflected, expressed to conjure beauty in spheres that transcend "mere" music to speak of movement, architecture, strength, delicacy, suppleness and nuance. As a listener I found myself (again!) suspended between awed appreciation of his art and floods of my own internal impresssions, including insights into my fleeting thought processes.
Few other artists deliver me to such a welcome and I believe productive (though some might scoff at as solipsistic) state of mind. Ornette Coleman is one, Miles Davis has been another, Butch Morris and Henry Threadgill, who were both in the audience, also have provided such gratifications. But Cecil Taylor is unique. His accomplishment is inspiring, the depths of his music profound, the heights sublime. In just the past year his pianism has significantly evolved: last night he seldom interrupted linearly unfolding episodes with contrary flurries of percussive strokes or clusters, and though he explored previously unknown extensions of melody he was the master of all terrain. He reigned commandingly, clearly having worked to achieve his position at the summit but needless of fury.

Taylor's concept, technique and message appear to have developed continuously and fearlessly from early aching lyricism (hear, for instance, his 1960 version of Richard Rodgers' "This Nearly Was Mine" free at last.fm) to his current vastly encompassing vision. His music today cannot be judged by what it isn't -- it isn't like any other music, "jazz" "classical" or "folkloric" on this planet, though he obviously knows most of what's preceded him and contains at his core kinship to Ellington and the blues. Regardless of any allusions, Taylor's music should be listened to for itself and what it offers: a complete, coherent, consistent if radical alternative to what we've heard, think we know and accept as true, a statement of human individuality and each person's potential for originality, the inordinate, ineffable beauty of it all.

March 29, 2009 10:12 AM | | Comments (2)

Categories:

2 Comments

William Parker once said to me that the older a musician is, the closer he will come to making music that he began his journey with...and therefore, he will be performing as he truly is
("he" or "she").

That it takes such revolutionary postures, particularly for Cecil Taylor, to be heard in the appropriate context early on and then for that context to exist almost naturally (very) later on comments once again on cultural lag.

I suppose the extraordinarily innovative artists and musicians in the world have to accept this aspect of culture: in order to move mountains when the tools are at hand, the tools can meet impenetrable impasses. But little by little, year after year, the tools chip away at the mountain and it becomes the size of a speed bump and completely negotiable. Musician to listener. The way becomes clear.

The true self has opened in the both instances, musician and listener. The external whys and wherefores have disappeared and finally Essence can be appreciated. The music expresses commonality as opposed to adversity to tradition.

God this sounds wonderful. Just one more reason to kick myself in the ass for not getting a ticket.

Leave a comment

About

Jazz Beyond Jazz

What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life?

more

Miles Ornette Cecil: Jazz Beyond Jazz






I'll be speaking:

icon_facebook25x25.gif
I'm on Facebook
twitter_icon25x25.jpg
Follow Jazz Beyond Jazz on Twitter


JBJ Essentials


more

All JBJ posts

 Subscribe in a reader

Get new posts by email.
Enter your address:

more

Howard Mandel HM2.for%20web.jpg I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. more

Contact me Click here to send me an email... more

Archives

Archives: 152 entries and counting

Interviews & Articles

Joe Zawinul at 65, The Wire 

Interview with Joe Zawinul, The Wire, 1996

Jazz Festivals 

....good for cities, musicians, audiences. Hear it on NPR audio_icon.gif

The Makers of Jazz Beyond Jazz 
Over the course of three decades, I've been privileged to get behind the scenes and meet heroic creators of jazz as well as up-and-comers, innovators and exemplars of many other genres. Please enjoy these archival interviews and articles.

more A & I

Blogroll

About this Entry

This page contains a single entry by Jazz beyond Jazz published on March 29, 2009 10:12 AM.

Cecil Taylor, unique and predominant, 80 years old was the previous entry in this blog.

Cecil Taylor's most recent recording, free mp3 is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog