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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Armstrong to Ellington to Obama

If anyone needs a primer on how jazz leads directly to the inauguration of Barack Obama as 44th president of the U.S., see Nat Hentoff’s Wall Street Journal article on the history of musicians, audiences, presenters and producers of all “colors” in the struggle for Civil Rights. 
The march from Buddy Bolden playing in New Orleans’ “back ‘o’ town” to a man of diverse ancestry leading the free world from the White House has been direct (if not necessarily “straight”) and determined.

This is why the jazz community (with very few dissenters), with the rest of the majority of voting Americans, chose a man who may be listening to Coltrane on his iPod

 while he tries to cope with the multiple crises facing our nation and the rest of the globe.
In addition, Hentoff’s article carries weight because the author has been involved himself with jazz and Civil Rights — testimony to the thesis of “jazz beyond jazz” — from his own awakening, and alerted people including yours truly to the linkage in liner notes and other forms usually dismissed as music ephemera.

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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