Jazz time-out of the year?
A major international jazz festival right now in Washington D.C.? How odd: Is it the End of Times? Are we fiddlin' while Rome burns? Or could it be a new beginning?
Ignore the credit crisis, the vp debates, end-game positioning by the One and the Other, Rosh Hashanah and Eid, Cubs and White Sox both in the playoffs -- here's the under-promoted but highly impressive fourth annual Duke Ellington Jazz Festival, Oct. 1 - 7! Balancing Kennedy Center concerts with "jazz in the 'hoods" (club and arts center gigs mostly but not only NW), sophisticated globalism with emerging artists, the best of student and local ensembles (Berklee College of Music Latin Jazz All-Stars at the Duke Ellington School of the Arts) as well as a free Sunday afternoon marathon featuring blues songster Taj Mahal, incomparable pianist McCoy Tyner, hot-hot singer Dee Dee Bridgewater, bravura bassist Christian McBride and trombonist Conrad Herwig's Latin Side Project on the National Mall . . . If it didn't take months to organize events on this scale, one might suspect the DEJF is a convenient circus to distract us from uproar, uncertainty, faith-based initiatives and existential dread.
More likely it's a coincidence (sort of) that a golden opportunity to hear meaningful, spirited contemporary improvisational music in our nation's typically jazz-challenged capital arrives during a week of such tumult. The diverse and compelling nature of the bookings -- whether DC's dominant political culture can be drawn away from its usual duties/obsessions to notice or not -- is much to the credit of artistic director/NEA Jazz Master/Guggenheim composition fellow/2008 Grammy winner/reedist extraordinaire Paquito D'Rivera, who emigrated from Cuba almost 30 years ago already a virtuoso and has consistently extended his accomplishments.
www.howardmandel.com
Subscribe by Email or RSS
All JBJ posts
The fest's sponsors include the legal firm Patton Boggs LLP ("Channel Power to Resolve Disputes"), Sage Communications ("Insight, Wisdom, Results"), Radio One ("the urban media specialist"), the Chrysler Foundation ("with an emphasis on community growth and enrichment"), Target, Chevron, Daimler, Comcast, Bank of America, Mars Inc., Fannie Mae (ooops!), Yamaha, the Government of the District of Columbia and (oh yes) the National Endowment of the Arts. This coalition clearly just wants to share its love of jazz.
Paquito seem to just want to play; he was set to perform "Wapango" with the Turtle Island String Quartet, for whom he wrote it, at the DEJF's kick-off invitational gala in Cultural Center of the Inter-American Development Bank last night. He's also doing a master class at George Washington University, performing with the Duke Ellington Orchestra in an NEA Jazz Masters Concert at the Lincoln Theatre, probably makin' the salsa-meets-jazz jam a bit later the same night at Bohemian Caverns and presenting a free "Vivas Las Americas" concert in honor of the Voice of America with Pan-American born jazz all-stars as the final event, Tuesday Oct. 7. But he's not the whole show, by a longshot. Other jazz heavyweights and contenders on hand include Sonny Fortune, Monty Alexander, Dana Leong, Winard Harper, Buck Hill, Anat Cohen, Michael Bowie -- musicians of style for every taste. Take an evening off, go out, enjoy.
That's what I'll do in NYC on Thursday night, missing the real-time broadcast of the tv sideshow starring Ms. Palin and Mr. Biden (I'll catch it later) in order to hear live new music by pianist Myra Melford with reedist Matana Roberts, guitarist Mary Halvorson and percussionist Harris Eisenstadt on a double bill at Roulette with reedist-composer Henry Threadgill's band Zooid and Talujon Percussion, a quartet. In another instance of too much rare good stuff happening than I can probably get to in one week, Austin-based singer-improviser Tina Marsh and saxophonist-composer Alex Coke with the Creative Opportunity Orchestra are at Roulette Oct. 4. Rather than simply diverting attention from the news-of-the-moment, the music by these three ensembles is sure to be complicated, previously unheard, and insistent on focusing listeners on what's going down. Our' satisfactions will come from our participation, our working to make sense of what we hear, and is sweeter for our understanding being earned. This kind of listening mirrors the sort of interaction that's typically necessary for new and promising beginnings.
Subscribe by Email or RSS
All JBJ posts
Categories:
About
Jazz Beyond Jazz
Miles Ornette Cecil: Jazz Beyond Jazz
Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association.
Contact me Click here to send me an email...
What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life?
Miles Ornette Cecil: Jazz Beyond Jazz
I'll be speaking:
Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. Contact me Click here to send me an email...
Blogroll
Jazz Beyond Jazz
Jazz Journalists Association's Jazzhouse
Thelonius Monk Institute of Jazz
James Hale's Jazz Chronicles
The Bad Plus' Do The Math
Larry Blumenfeld's Listen Good
Fred Kaplan's Jazz Messenger
Doug Ramsey's Riffides
Hank Shteamer's Dark Forces Swing Blind Punches
Michael J. West's Pop Musicology
Tim Posgate's Canadian 'jazzlife'
David R. Adler's Lerterland
Dean Minderman's St. Louis Jazz Notes
Carl Wilson's cross-genre Zoilus
Darcy James Argue's Secret Society
David Ryshpan's Settled in Shipping
Dave Douglas's Greenleaf Music Blog
Pamela's Bebopified
Andrea Cantor's JazzInk
Kazue Yokoi's exblog (in Japanese)
Jazz.com
Bob Lewis' Jazz My Two Cents Worth
Marc Myers' Jazzwax
Jazz Journalists Association's Jazzhouse
Thelonius Monk Institute of Jazz
James Hale's Jazz Chronicles
The Bad Plus' Do The Math
Larry Blumenfeld's Listen Good
Fred Kaplan's Jazz Messenger
Doug Ramsey's Riffides
Hank Shteamer's Dark Forces Swing Blind Punches
Michael J. West's Pop Musicology
Tim Posgate's Canadian 'jazzlife'
David R. Adler's Lerterland
Dean Minderman's St. Louis Jazz Notes
Carl Wilson's cross-genre Zoilus
Darcy James Argue's Secret Society
David Ryshpan's Settled in Shipping
Dave Douglas's Greenleaf Music Blog
Pamela's Bebopified
Andrea Cantor's JazzInk
Kazue Yokoi's exblog (in Japanese)
Jazz.com
Bob Lewis' Jazz My Two Cents Worth
Marc Myers' Jazzwax
AJ Ads
Introducing
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog
1 Comments
Leave a comment