Who decides who's an NEA Jazz Master

The National Endowment of the Arts panel determining recipients of the annual Jazz Masters Fellowships is a small one. In the interest of transparency, the NEA has supplied the names of panelists who chose the class of '09. It comprises five previously named Fellows, one "layperson," one independent record producer, and two longtime jazz adminstrator-activists (who both happen to be honorees of the Jazz Journalists Association's "A Team").

Of course, if John McCain becomes president, it's all moot (as Lee Rosenbaum reports, the GOP has no arts policy in its platform, and I remember writing to McCain during the 1980s objecting to his desire to de-fund the NEA). He's clearly no jazz candidate -- whereas Barack Obama spoke at the site of the Detroit Jazz Festival, on Labor Day, and San Francisco musicians are lining up behind him with a fundraising jam in San Francisco, October 13.

But that's another posting: back to the NEA panelists -- 
Those charged in January 2008 with selecting a handful of 2009 Jazz Masters (who receive $25,000 honoraria and multiple opportunities for public appearances) from 155 nominations submitted this year by the U.S. public were: 
  • Toshiko Akiyoshi, NEA Jazz Master, pianist, bandleader, composer-arranger, NYC
  • William Barke (Layperson), CEO Pearson Higher Education Arts & Sciences; Chair, Pearson Canada; Cambridge, MA
  • Locksley (Slide) Hampton, NEA Jazz Master, Composer-arranger, trombonist, educator, East Orange, NJ
  • Ramsey Lewis, NEA Jazz Master, pianist, radio and television host, Chicago, IL
  • Nancy Wilson, NEA Jazz Master, vocalist, radio and television host (and winner of the Jazz Journalists Association's 2008 Willis connover-Marian McPartland Award for Excellence in Jazz Broadcasting), Pioneertown, CA

Panelists selecting the 2009 recipient of the A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy: 
  • Toshiko Akiyoshi
  • William Barke (Layperson)
  • Michael Cuscuna (erroneously described as a "jazz musician"), founder and president of the Mosaic Records label, independent producer for Blue Note and other labels, Stamford, CT
  • Gunther Schuller, NEA Jazz Master (previous recipient of Spellman Award), composer, author, scholar, educator, Newton Centre, MA
  • Alfred B. Spellman, retired NEA deputy chair and jazz specialist, author, poet, critic, and lecturer, in 2006 named by the Jazz Journalists Association to its "A Team" of advocates, activists, altruists, aiders and abettors of jazz, Washington, DC
  • Herb Wong, jazz journalist, critic, historian and record producer, former president of the International Association of Jazz Educators, Artistic Director of Jazz in the Meadow (Atherton, CA), in 2008 named by the Jazz Journalists Association to its "A Team," Menlo Park, CA
It's a tricky task, choosing wisely among worthy nominees, and it's hard to imagine the discussions regarding each nominee's merits. However, there appears to be a current desire to balance the class with well-known and commercially successful artists (this year, George Benson) and lesser known but key soloists (Snooky Young, Lee Konitz), one musician who represents native origin from outside the U.S. (Belgian born Toots Thielemans, though he's lived in the U.S. since '52), and a rhythm section stalwart (Jimmy Cobb).  See who has been named an NEA Jazz Master since the program began in 1982, There are categorical criteria, and there has always been an emphasis on jazz musicians who've made their reputations on a fairly wide basis -- of predominantly local heroes, I see only one: New Orleans traditionalist Danny Barker (who was a significant mentor to Wynton Marsalis). But you can make your own nominations, toward the class of 2010, here.

howardmandel.com
Subscribe by Email or RSS
All JBJ posts
September 5, 2008 10:18 AM | | Comments (1)

Categories:

1 Comments

In tribute to the 2009 NEA Jazz Masters and esp. Toots Thielemans, my fellow Belgian immigrant to the US, I researched the Google-popularity of these musicians from 2004 to now. I also checked on which countries were most interested in the individual musicians. The results may surprise you! See my Word Face-Off blog.
http://wordfaceoff.blogspot.com/

Leave a comment

About

Jazz Beyond Jazz

What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life?



Miles Ornette Cecil: Jazz Beyond Jazz






I'll be speaking:


JBJ Essentials




All JBJ posts

 Subscribe in a reader

Get new posts by email.
Enter your address:



Howard Mandel HM2.for%20web.jpg I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association.

Contact me Click here to send me an email...

Archives

Archives: 111 entries and counting

Interviews & Articles

Joe Zawinul at 65, The Wire 

Interview with Joe Zawinul, The Wire, 1996

Jazz Festivals 

....good for cities, musicians, audiences. Hear it on NPR audio_icon.gif

The Makers of Jazz Beyond Jazz 
Over the course of three decades, I've been privileged to get behind the scenes and meet heroic creators of jazz as well as up-and-comers, innovators and exemplars of many other genres. Please enjoy these archival interviews and articles.

more A & I

Blogroll

About this Entry

This page contains a single entry by Jazz beyond Jazz published on September 5, 2008 10:18 AM.

Meet the NEA's new Jazz Masters was the previous entry in this blog.

Bad news from the Northwest: Portland Jazz Fest dies is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog