Meet the NEA's new Jazz Masters

The National Endowment for the Arts' latest class of official "Jazz Masters" includes vocalist and guitarist George Benson, drummer Jimmy Cobb, alto saxophonist Lee Konitz, harmonica and guitar player "Toots" Thielemans, trumpeter Snooky" Young, and recording engineer Rudy Van Gelder.  All estimable choices, each receiving $25,000, opportunities to participate in photo shoots and public appearances and introduction an official ceremony on October 17 at Jazz at Lincoln Center. Plus, Steve Wonder has won the Library of Congress Gershwin Prize for Popular Music. Fair choices, all. These are professionals whose works sometimes are truly inspired.   
  • Benson is quite possibly the best improvising guitarist alive -- though for many years he's buried that talent under his modest but popular skills as a singer. 
  • Cobb, most famously drummer on Miles Davis' classic Kind of Blue (which has just been reissued as a three-CD "Anniversary Collector's Edition"), has a faultless sense of rhythm; I once watched him testing cymbals in a Turkish cymbal factory showroom, patiently spinning a series of metal discs for ten minutes at a time against his steady ding-dinga-ding, listening critically for overtones from their rims to their nubs. 
  • Konitz is one of the coolest original soloists over the past 60 years, a man who held his own against the overwhelming influence of Charlie Parker while collaborating with progressive iconoclasts from Stan Kenton to Lennie Tristano to Miles Davis to Elvin Jones and even to Ornette Coleman, who might be alpha to his omega.
  • Thielemans is beloved for the jazz waltz "Bluesette" and for the easily swinging novelty of his harmonica playing and whistling.
  • Young is a lead trumpeter who developed the plunger mute to a high art, employed first in big bands then in television studio orchestras.
  •  Van Gelder is indubitably the person most responsible for giving jazz recordings their sound since 1952. And he gave recordings on Blue Note, Prestige, Savoy, Impulse! and CTI Records all their own sounds. 
  • Wonder has written, recorded and performed more sweet, soulful and edgy songs than even Paul Simon who won the Gershwin Prize when it was first given, just last year. Bob Dylan, Aretha Franklin, Willie Nelson, Stephen Sondheim or Chuck Berry in 2009, please.
howardmandel.com
Subscribe by Email or RSS
All JBJ posts
September 3, 2008 6:40 PM | | Comments (1)

Categories:

1 Comments

And meanwhile in Chicago, a true Master once again does not get recognized--the inestimable 86 year old Von Freeman. I sent the box of Von's masterworks to NEA this year, daring them to say he is not deserving of the accolade--and they sent me back a form letter. Even letters of support from Richard the Second, Lois Weisberg, and many writers and musicians from around the country do not seem to persuade the A.B. Spellmans of the world that someone who chose to stay in Chicago and raise a whole generation of new players is deserving of the award.

I mean--George Benson? He maybe had it at one time, but what has he done for us lately?

HM: Von Freeman is indeed a jazz master and how the Jazz Masters are chosen remains a mystery; Benson doesn't need the $ or recognition any more than did Quincy Jones, one of last year's picks. But please let's not pick on the "A.B. Spellmans of the world" -- A.B., who wrote the enduring "Four Lives in the Bebop Business" about Ornette, Cecil Taylor, Jackie McLean and Herbie Nichols (without Spellman's book, now titled Four Lives, Nichols might have been lost to history) back in the '60s should be part of the solution, not a nickname for the problem.

Leave a comment

About

Jazz Beyond Jazz

What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life?



Miles Ornette Cecil: Jazz Beyond Jazz






I'll be speaking:


JBJ Essentials




All JBJ posts

 Subscribe in a reader

Get new posts by email.
Enter your address:



Howard Mandel HM2.for%20web.jpg I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association.

Contact me Click here to send me an email...

Archives

Archives: 101 entries and counting

Interviews & Articles

Joe Zawinul at 65, The Wire 

Interview with Joe Zawinul, The Wire, 1996

Jazz Festivals 

....good for cities, musicians, audiences. Hear it on NPR audio_icon.gif

The Makers of Jazz Beyond Jazz 
Over the course of three decades, I've been privileged to get behind the scenes and meet heroic creators of jazz as well as up-and-comers, innovators and exemplars of many other genres. Please enjoy these archival interviews and articles.

more A & I

Blogroll

About this Entry

This page contains a single entry by Jazz beyond Jazz published on September 3, 2008 6:40 PM.

Chicago hears Ornette Coleman -- This is our music was the previous entry in this blog.

Who decides who's an NEA Jazz Master is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog