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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Meet the NEA’s new Jazz Masters

The National Endowment for the Arts’ latest class of official “Jazz Masters” includes vocalist and guitarist George Benson, drummer Jimmy Cobb, alto saxophonist Lee Konitz, harmonica and guitar player “Toots” Thielemans, trumpeter Snooky” Young, and recording engineer Rudy Van Gelder.  All estimable choices, each receiving $25,000, opportunities to participate in photo shoots and public appearances and introduction an official ceremony on October 17 at Jazz at Lincoln Center. Plus, Steve Wonder has won the Library of Congress Gershwin Prize for Popular Music. Fair choices, all. These are professionals whose works sometimes are truly inspired.   

  • Benson is quite possibly the best improvising guitarist alive — though for many years he’s buried that talent under his modest but popular skills as a singer. 
  • Cobb, most famously drummer on Miles Davis’ classic Kind of Blue (which has just been reissued as a three-CD “Anniversary Collector’s Edition”), has a faultless sense of rhythm; I once watched him testing cymbals in a Turkish cymbal factory showroom, patiently spinning a series of metal discs for ten minutes at a time against his steady ding-dinga-ding, listening critically for overtones from their rims to their nubs. 
  • Konitz is one of the coolest original soloists over the past 60 years, a man who held his own against the overwhelming influence of Charlie Parker while collaborating with progressive iconoclasts from Stan Kenton to Lennie Tristano to Miles Davis to Elvin Jones and even to Ornette Coleman, who might be alpha to his omega.
  • Thielemans is beloved for the jazz waltz “Bluesette” and for the easily swinging novelty of his harmonica playing and whistling.
  • Young is a lead trumpeter who developed the plunger mute to a high art, employed first in big bands then in television studio orchestras.
  •  Van Gelder is indubitably the person most responsible for giving jazz recordings their sound since 1952. And he gave recordings on Blue Note, Prestige, Savoy, Impulse! and CTI Records all their own sounds. 
  • Wonder has written, recorded and performed more sweet, soulful and edgy songs than even Paul Simon who won the Gershwin Prize when it was first given, just last year. Bob Dylan, Aretha Franklin, Willie Nelson, Stephen Sondheim or Chuck Berry in 2009, please.

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

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