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Apollinaire Scherr talks about dance

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Archives for October 2009

Saturday October 31:

October 31, 2009 by Apollinaire Scherr Leave a Comment

A subdued Garth Fagan season at the Joyce this year … [Read more...]

A subdued Garth Fagan

October 31, 2009 by Apollinaire Scherr Leave a Comment

Mudan 175/39 by Garth Fagan. Photo by Paula Summit.I don't think this year's Joyce season is the best showing of Fagan's work. There's only one premiere--the lovely Mudan--but even that wouldn't be a problem if the rep didn't also fall on the minimalist end of the Fagan scale. Still, I admire the Rochester choreographer's aim and method enough to not much mind if one year is less revelatory than … [Read more...]

Monday October 26

October 26, 2009 by Apollinaire Scherr Leave a Comment

Spooky shows from two gay icons: Bill T. Jones and Joe Goode … [Read more...]

Spooky shows from Bill T. Jones and Joe Goode

October 25, 2009 by Apollinaire Scherr Leave a Comment

I asked my friend and Foot colleague Paul Parish whether I could paste some of his review last week of Bill T. Jones's and Joe Goode's latest shows--Jones's is the big Lincoln fete we New Yorkers will be getting some side dishes from later this month at the Joyce--and he said, yes, please. There's all sorts of observations Paul makes that have me starting up with excitement--the unusual way … [Read more...]

Friday October 23

October 22, 2009 by Apollinaire Scherr Leave a Comment

How much is originality worth? Apollinaire considers the case of Sidi Larbi Cherkaoui's Orbo Novo. … [Read more...]

If the movement is original but induces nausea, should a critic complain or celebrate?

October 22, 2009 by Apollinaire Scherr Leave a Comment

I didn't do either in my review for the Financial Times tomorrow of the popular European choreographer Sidi Larbi Cherkaoui's Orbo Novo. There were other things, for which I felt distinct dislike, such as the dance's confusion about its stance towards its material (a woman entering nirvana by suffering--if that's even the right way to put it-- a stroke). It's okay for the choreographer to be … [Read more...]

Saturday October 17

October 17, 2009 by Apollinaire Scherr Leave a Comment

Why the Balanchine Trust may have to play policeman … [Read more...]

More on online dance-video collections, and why the likes of the Balanchine Trust might need to shut them down…[Wait: No they needn’t. Breaking News from real Lawyer]

October 17, 2009 by Apollinaire Scherr 7 Comments

After posting Foot contributor Paul Parish's eloquent and provocative outcry on the YouTube crackdown on user Ketinoa's large video collection, I received some illuminating information on copyright law from Marc Kirshner, of the newly formed Tendu TV. Here it is, filtered through the law-ignorant mind of moi: --In order to maintain their right to certain dances, organizations such as the … [Read more...]

Wednesday, October 14

October 14, 2009 by Apollinaire Scherr Leave a Comment

This week in dance: from the sublime (surprisingly subtle Italian contemporary dance) to the ridiculous (a tango dancical) … [Read more...]

From the ridiculous to the sublime: two current New York shows

October 13, 2009 by Apollinaire Scherr Leave a Comment

So, in writing about this month's ridiculous, my big dilemma was whether to allot it one star or two in the Financial Times galaxy. The dancing might have warranted two, but the story the dancing was telling was so benighted.... I finally went with one. Here's the first few paragraphs of the FT review, which came out today: Another worldwide tango show has arrived in New York, in the sixth year … [Read more...]

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Apollinaire Scherr

is the New York-based dance critic for the Financial Times. She has written regularly for The New Yorker, The New York Times, and Newsday, as well as SF Weekly and the East Bay Express, in the Bay Area. She has contributed to... Read More…

Foot in Mouth

This blog's concern is the tricky business of recognizing dance's peculiar language and history … [Read More...]

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