Valedictory Post: Thanks from CultureGrrl!

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Photo © by Jill Krementz

"Thanks from CultureGrrl" has been the subject-line in my recent e-mailed acknowledgements to some 44 supporters (both Repeat Donors and new ones) from 16 states, the District of Columbia and one foreign country (Finland). Individual generosity during my recent three-week fund drive ranged from $5 to $500. In all, I raised $1,945---just shy of my $2,000 goal. More than for the contributions, I am very grateful for the many notes of appreciation that accompanied them.

I love you, art-lings, and will miss you. I cherish the bonds I've forged over the past five and a half years with my classy, savvy audience. But as you well know, I'm a stickler. I'm going to stick to my word and, effective today, take a break (possibly a permanent one) from blogging.

In introducing my now concluded Last-Gasp Fund Drive, I wrote:

If 100 readers are willing to donate $20 each within the next three weeks to express appreciation for last year's edition of CultureGrrl (or if a different combination of readers and benefactions achieves the same monetary goal), I'll continue....

If I don't get this vote of confidence, I'm going to take off at least a month, beginning Jan. 9, to undergo blogging-addiction withdrawal and seek other opportunities. I don't know yet whether I'll relapse in February. But my month's hiatus isn't an empty threat; it's a promise.
My month's sabbatical may become a permanent one. I just don't know yet whether I can do without the instant gratification of telling stories that need to be told and expressing views that I feel need to be aired.

But I've become a slave to the blog, and I'm eager to see what else may be out there for me---something I couldn't do while blogging, because I'm too much of a perfectionist. I labored much too long and hard every day, researching my posts and crafting my prose. If I'm going to continue doing this kind of work, I really should get paid.

As one of my most generous repeat donors just wrote to me:

I am a firm believer that artists, and arts journalists, should get paid for what they do.  My least favorite phrase is "psychic compensation," which is the way artists have been exploited for years into doing work for free.
But no one "exploited" me. I freely (perhaps foolishly) chose to do this, and it did bring me a some speaking gigs and broadcast exposure that I would not otherwise have enjoyed. It raised my profile and made me semi-famous to a niche group of art aficionados. What's more, for the most part, I enoyed doing it. I thank Doug McLennan and his ArtsJournal for providing me a distinguished platform, in the company of some of the best arts bloggers in the "business."

[Wait a minute! AJ's Real Clear Arts just lifted my original Tobias Meyer/Richter photo! Is this "appropriation art"? (By the time you read this, it may have been de-appropriated.) RCA credits the photo to Bui Gallery, but it's definitely one that I took and published Nov. 10 on CultureGrrl. (Did Bui "appropriate" it first?)]

There are a number of balls that I'll be dropping this month---things on my blog's to-do list that won't get done. It's going to be hard going back to being mild-mannered mortal Lee Rosenbaum, writing about a few things, after being caped crusader CultureGrrl, opinionating on everything.

Looking forward, I'm ready, willing and able to take on paid journalistic projects (including paid blogging gigs), speaking engagements and teaching stints. You can contact me through the blog. I will continue to link on CultureGrrl to my mainstream-media work and perhaps I'll even provide on this site a little extra commentary and/or multimedia related to those articles or broadcasts.

If I can't resist indulging my passion for online commentary, you may find me occasionally on Huffington Post. And I'll likely continue to tweet now and then, to let CultureGrrl followers know what I'm thinking and doing.

Finally, for those of you who participated in the fund drive in anticipation of future posts (rather than in appreciation of past ones), here's my money-back offer: Just reply to my "Thanks from CultureGrrl" e-mail with one word---REFUND---and I'll click the "Issue refund" button on PayPal. I don't want anyone to feel cheated.

Thanks, art-lings, for your intelligence, insights and appreciation, and for all our time together!
January 8, 2012 10:01 PM | |

About

CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."

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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.

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CONTACT ME
Write to me here.
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Archives

Archives: 2899 entries and counting

Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

MAINSTREAM MEDIA

NY TIMES ARTS & LEISURE
Two Painters: So Alike, So Different (Caravaggio/Hals)

NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
American Indian Installations
Morgan Library Renovation
Virginia Museum of Fine Arts' Expansion (designed by Rick Mather)
Crisis in Art Bibliography (Getty and BHA)
Profile of the Met's Tom Campbell
Elevating American Indian Art (Nelson-Atkins)
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)
National Museum of the American Indian

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

HUFFINGTON POST:
My columns for HuffPost Arts

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
[Note: The AiA links, alas, are no longer active.]
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NPR:
Crystal Bridges controversies
Crystal Bridges Museum's $800 Million (from American Public Media)
Smithsonian's "Hide/Seek" Controversy
Sotheby's Polaroid auction (at 1:20)
AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Rising Ticket Prices
New Museum's Dakis Joannou exhibition
Modernist Abstraction Exhibitions in NYC

NEW YORK PUBLIC RADIO:
NY State's New Deaccessioning Rules
American Folk Art Museum sells building to MoMA
Art Deaccessioning: Right or Wrong?
Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

SOUTHERN CALIFORNIA PUBLIC RADIO
Getty Museum's antiquities scandals (at 22:38)
Getty Trust's New President, James Cuno (at 12:10)
Getty and LA MOCA Directorship Controversies (at 44:30)
Reminiscences about James Wood (at 19:28)

BBC-TV:
Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on January 8, 2012 10:01 PM.

De Kooning, Degas, Donatello (to Bellini): Ambitious Loan Shows that Bucked the Permanent-Collection Trend---Part III was the previous entry in this blog.

Coming Tomorrow: My WSJ Piece on Peabody Essex’s "Shapeshifting" Show is the next entry in this blog.

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