James Levines (new) Fall: Mets Music Director Withdraws from 2011 Performances CORRECTED

New back injury: Metropolitan Opera Music Director James Levine
CORRECTION: In a previous version of this post, I said that Levine had been stripped of his principal conductorship. Although he was for many years the Met's de facto principal conductor, Levine did not possess that official title, the Met has informed me. I had assumed (as did others) that since Fabio Luisi had been promoted from "Principal Guest Conductor" to "Principal Conductor," he had succeeded Levine in his new role. That assumption was erroneous.This highly upsetting news from the Metropolitan Opera about its esteemed music director, James Levine, just hit my inbox:
After a fall last week that damaged one of his vertebrae, James Levine underwent emergency surgery on Thursday in New York, forcing him to withdraw from his performances at the Metropolitan Opera this fall. Levine was scheduled to begin orchestra rehearsals for the new season today. According to his doctors, he was successfully recuperating from another back surgery when the accident happened while he was on vacation in Vermont.We can only hope that he does, in fact, return in January. I already purchased two hard-to-find tickets to what is now Substitution Siegfried (in October). I've also got tickets for "Götterdämmerung" in January (which I hope Levine may yet be well enough to conduct). As CultureGrrl readers may remember, I last saw him conduct, in evident pain, at last spring's famous soprano-flooring premiere of the seemingly perilous Robert Lepage production of "Die Walküre."
While Levine will continue in his position as Music Director, Fabio Luisi has been named the Met's Principal Conductor, with the new appointment taking effect immediately. In Apr. 2010, Luisi was appointed Principal Guest Conductor of the Met. He will replace Levine for most of the fall performances, conducting the new productions of "Don Giovanni" (premiering Oct. 13) and "Siegfried" (premiering Oct. 27), as well as the Met Orchestra concert at Carnegie Hall on October 16.
"While Jim's latest setback is hugely disappointing for all of us, he joins me in welcoming Fabio's larger role," said Peter Gelb, the Met's General Manager. "I am very pleased that Fabio was able to rearrange his fall schedule, and I appreciate the understanding of those companies with whom he was scheduled to conduct."
In order to replace Levine, Luisi had to cancel performances with the Rome Opera, the Genoa Opera, the Vienna Symphony, and the San Francisco Symphony....
[Levine] is scheduled to conduct "Götterdämmerung" from Jan. 27 to Feb. 11, "Das Rheingold" on April 4, and three complete cycles of Wagner's "Der Ring des Nibelungen" between Apr. 7 and May 12. He is also scheduled to conduct concerts with the Met Orchestra at Carnegie Hall on Jan. 15 and May 20.
By naming Luisi as principal conductor, the Met appears to be paving to way for a future transfer of the music directorship. I expect that's the likely scenario if Levine can't make it back to the podium in January.
With the benefit of 20-20 hindsight, it now appears that New York magazine's Justin Davidson may have been right. James Levine is a national treasure, but our country's premiere opera house can't afford to limp along in limbo much longer.
September 6, 2011 11:41 AM
| Permalink
|
About
CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."

Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
CULTUREGRRL VIDEOS
My YouTube Channel
FIND ME ON

FOLLOW ME ON
LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
more
CONTACT ME
Write to me here.
more
Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
CULTUREGRRL VIDEOS
My YouTube Channel
FIND ME ON
FOLLOW ME ON
________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
more
CONTACT ME
Write to me here.
more
Blogroll
About Last Night
Art History Newsletter
Art Law Blog
Art Observed
The Art Tribune (France)
Art Unwashed (Laura Gilbert)
Artopia
bloggers@brooklynmuseum
Design Observer
A Don's Life
Edward Lifson
Exhibitionist (Boston)
Eye Level (SAAM)
HuffPost Arts
LA Observed (Los Angeles)
Looting Matters
NewYorkology--Architecture
NewYorkology--Museums
Opera Chic
Slipped Disc (Norman Lebrecht)
Slog (Seattle)
Unframed (LACMA)
Walker
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
State of the Art
innovations and impediments in not-for-profit arts
innovations and impediments in not-for-profit arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
The Unanswered Question
Joe Horowitz on music
Joe Horowitz on music
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
