The Art of Dissertation Writing: "Enhanced Modeling"

diploma.jpg

I've been on-topic for way too long. Let's now wander completely off-topic.

The resignatons of Hawass and Levine notwithstanding, to me the most important news event of last week was the designation of CultureDaughter as a PhD-to-be (to become official at May graduation). On Thursday, she presented an enthusiastically acclaimed defense of her doctoral dissertation, entitled (take deep breath):

Enhanced Propagation Modeling of Directional Aviation Noise: A Hybrid Parabolic Equation---Fast Field Program Method
Huh??? That a daughter of mine could have written such a thing (and that a report with such an unwieldy headline could have been judged by one of her committee members as "one of the best written" dissertations that he's ever seen) defies motherly comprehension.

I'm inordinately proud, of course, as well as extremely grateful that I wasn't asked for any editorial guidance on this over-my-head project. I'm also cautiously hopeful that my daughter'deep understanding of aviation noise will do something to mitigate the buzz of JFK flights that have recently been rerouted to pass over my apartment's terrace overlooking the Hudson River.

Am I allowed to take a little credit for the "best written" part? I relentlessly supplemented our local schools' insufficient writing instruction by tearing apart what she and my son (also now a good writer) produced. My constant parental refrains were: "Writing is power" and "Go clean your room!"

Notwithstanding the school system's writing deficiencies, its music and drama instruction was first rate, as Lea Michele, the star of "Glee," can attest. She got her start as Lili in the high school production of "Carnival" that I attended.

Does all this mean that I now need to refer to our family's ranking scholar as "Dr. CultureDaughter"?

Let the acoustic engineer job search begin. Her first interview, this Wednesday, relates not to the skies but to the seas---underwater acoustics. (Who knew?) Alas, I have thus far failed to persuade her to address the more pressing acoustic needs of Avery Fisher Hall.
March 7, 2011 5:34 PM | |

About

CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."

DK&Me1.jpg
Photo © by Jill Krementz

CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.

CULTUREGRRL VIDEOS
My YouTube Channel

FIND ME ON
LinkedINn.png

FOLLOW ME ON twitter.png
________________________
more

LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.

more

CONTACT ME
Write to me here.
more

Archives

Archives: 2899 entries and counting

Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

MAINSTREAM MEDIA

NY TIMES ARTS & LEISURE
Two Painters: So Alike, So Different (Caravaggio/Hals)

NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
American Indian Installations
Morgan Library Renovation
Virginia Museum of Fine Arts' Expansion (designed by Rick Mather)
Crisis in Art Bibliography (Getty and BHA)
Profile of the Met's Tom Campbell
Elevating American Indian Art (Nelson-Atkins)
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)
National Museum of the American Indian

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

HUFFINGTON POST:
My columns for HuffPost Arts

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
[Note: The AiA links, alas, are no longer active.]
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NPR:
Crystal Bridges controversies
Crystal Bridges Museum's $800 Million (from American Public Media)
Smithsonian's "Hide/Seek" Controversy
Sotheby's Polaroid auction (at 1:20)
AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Rising Ticket Prices
New Museum's Dakis Joannou exhibition
Modernist Abstraction Exhibitions in NYC

NEW YORK PUBLIC RADIO:
NY State's New Deaccessioning Rules
American Folk Art Museum sells building to MoMA
Art Deaccessioning: Right or Wrong?
Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

SOUTHERN CALIFORNIA PUBLIC RADIO
Getty Museum's antiquities scandals (at 22:38)
Getty Trust's New President, James Cuno (at 12:10)
Getty and LA MOCA Directorship Controversies (at 44:30)
Reminiscences about James Wood (at 19:28)

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

Blogroll

About this Entry

This page contains a single entry by CultureGrrl published on March 7, 2011 5:34 PM.

Hawass Unhinged: Is Dr. Zahi Becoming Archaeology’s Charlie Sheen? UPDATED TWICE was the previous entry in this blog.

Penn Center’s List (with photos) of Egypt’s Missing Objects is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
lies like truth
Chloe Veltman on how culture will save the world
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
State of the Art
innovations and impediments in not-for-profit arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
The Unanswered Question
Joe Horowitz on music

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Creative Commons License
This weblog is licensed under a Creative Commons License.