NPG’s David Ward Advises Smithsonian’s Wayne Clough: "Listen to the Museum Directors"

The ad hoc advisory committee appointed by the Smithsonian Board of Regents to examine exhibition policies in the wake of "Hide/Seek" stated in its report that "avoiding the risks necessary to illuminate the important issues facing society and the American public would diminish the role of the nation's cultural organization."

Nevertheless, will Smithsonian curators now feel more risk-averse, in light of the negative backlash created by "Hide/Seek," which came from both conservatives who decried the show's contents, and members of the gay community and the artworld who deplored the removal of David Wojnarovicz's video?

As it happened, on the same day (almost two weeks before the committee issued its report) when I interviewed Smithsonian Secretary G. Wayne Clough in his office and recorded a CultureGrrl Video with National Portrait Gallery historian David Ward at the scene of the controversial exhibition, I also recorded a brief audio-only interview with Ward on the "chilling effect" question---whether he will feel free to tackle controversial subjects in future NPG exhibitions, given his difficult experience with "Hide/Seek."

"I intend to do nothing but the most boring exhibitions that I possibly can do," Ward quipped, before getting serious about what he sees as needed changes, going forward, in the relationship between the museums and "the Castle" (where the Smithsonian's administration is housed). Click the arrow on the left of the audio bar, below, to hear our three-minute exchange (and please pardon CultureGrrl's raspy voice, caused by too much talking and a very bad cold):

How about a little more multimedia? Here's a video that the NPG posted a week and a half ago on YouTube, in which a curator from the museum, Warren Perry, asked visitors for their reactions to "Hide/Seek" (perhaps anticipating the committee's recommendation to "use the Internet during exhibitions to facilitate discussion...as a way of 'listening' to Smithsonian audiences"):

February 2, 2011 12:13 AM | |

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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.

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Philippe de Montebello's Retirement
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Metropolitan Museum's "Age of Rembrandt" Show
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About this Entry

This page contains a single entry by CultureGrrl published on February 2, 2011 12:13 AM.

Smithsonian Committee’s Recommendation: Keep the Hot-Button Shows Coming (and keep Clough) UPDATED was the previous entry in this blog.

Fire Reported at Egyptian Museum; Hawass’ Deeply Flawed Crisis Response is the next entry in this blog.

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