Whither Christies? Steve Murphy, Auction Newbie, Takes the Helm

Steven Pleshette Murphy, Christie's new President and CEO
Veteran auction watchers are scratching their heads at yesterday's unexpected news that Christie's has tapped Steve Murphy, an American with no art-related background or auction-related experience, to be the London-based auction house's chief executive officer, "effective immediately." The official announcement was issued today by Patricia Barbizet, non-executive chairman of Christie's and CEO of Artemis, an investment group owned by French magnate François Pinault. (Christie's is a wholly-owned subsidiary of Artemis.)
Barbizet also announced that Edward Dolman, CEO of Christie's for almost 11 years, had been "promoted to chairman of Christie's International." He will "focus on business development [i.e., snaring consignments] and client relationships at the senior-most levels."
As reported in Christie's announcement, Murphy's most recent executive gig was as president and CEO of Rodale Inc., the U.S.-based publishing company whose best known magazines include Men's Health and Prevention. Its books include The South Beach Diet and Al Gore's An Inconvenient Truth.
But not mentioned in the auction house's announcement is the fact that Murphy's time at the helm of at Rodale ended a full year ago---Sept. 1, 2009. Maria Rodale, the family company's board chairman, who announced that change at the end of July 2009, succeeded Murphy as CEO. At that time, Publishers Weekly reported that Murphy had been known at Rodale not only for financially astute leadership but also for corporate restructurings and workforce cuts.
In a statement that had been issued by the publishing company, Murphy enigmatically explained his resignation this way :
After a wonderful decade at Rodale, I have decided not to renew my contract and to take time off to pursue my own creative interests.So what's this new Christie's CEO really like? Jon Fine wrote this for Businessweek in 2006:
He dresses well---almost too well. (Think three-piece suits in September.) He exudes the faint aura of a performer, of being aware he is being watched. [At least he looks and acts the part of an auction-house executive!]
Neither quality is common at the family-owned Rodale, based in Emmaus, Pa., which still retains the institutional DNA you'd expect from a company that has been popularizing "organic" since the 1940s.
But Murphy is a bit of an outsider in New York media as well. He came to Rodale from Disney, not Condé Nast. Chatter about turnover in his executive ranks, which Murphy and Rodale dismiss, persists. If his industry peers compiled a short list of top executives, there's a good chance Murphy wouldn't crack it. And yet his track record at Rodale since his arrival in 2000 is likely as good as anyone's and better than most.
Veteran art-market scribe Lindsay Pollock spoke with Murphy yesterday morning and came away with a couple of quotes (as published in her Art Market Views):
Nick and Maddie must be great kids!
"For me, my whole career has been essentially about building environments for creative people to succeed."...He will focus on building Christie's presence in Asia and other new markets and developing others means of selling, he said. "So much growth is available in this market. It's just a matter of time."Maybe it's also "just a matter of time" that when Googling "Steven Pleshette Murphy," the first thing coming up will no longer be this bio page for his wife, Ann Pleshette Murphy, self-styled "America's Favorite Parenting Expert" (with a former stint as editor-in-chief of Parents magazine and current TV gigs as Good Morning America's "parenting contributor" and host of her own parenting show on ABC-TV).
Nick and Maddie must be great kids!
September 21, 2010 2:39 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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