"Portrait of Wally": Spotlight on the Offstage Heroes
[For my analysis of the settlement, go here.]
Lawyers, prosecutors and a Bondi family member did all the talking at Thursday's commemorative ceremony celebrating the $19-million settlement of the Bondi family's claims against the Leopold Museum, Vienna, in connection with Schiele's "Portrait of Wally," expropriated by the Nazis from Lea Bondi Jaray in 1939 and later acquired by Austrian mega-collector Rudolf Leopold.
But there were some key players, acknowledged with gratitude during the speeches, who stayed out of the spotlight. Chief among them was my ArtsJournal blogging colleague, Judith Dobrzynski, whose 1997 article in the NY Times set the investigative and legal wheels in motion. While the farflung Bondis bonded in the lobby of the Museum of Jewish Heritage before the ceremony, Judith was greeted like an honorary member of the mishpocheh (Yiddish for "family):

Judith Dobrzynski, left, at the Museum of Jewish Heritage on Thursday
As we learned from the speakers, one of Judith's articles caught the attention of the husband of U.S. Customs Special Agent Bonnie Goldblatt, who told his wife that the case might be something to delve into. The rest is history.
Bonnie was repeatedly acknowledged by the speakers and was seated in the audience. When I accosted her afterwards to take her photograph, I found out why she wasn't onstage. She allowed me to take a shot of her beaming face, but when she realized that it was for publication, she warned that I must use only this shot:

U.S. Customs Special Agent Bonnie Goldblatt
After all, the lady's still going undercover!
Also singled out for praise was another member of the audience, Jane Kallir, the New York dealer in German and Austrian Expressionists at Galerie St. Etienne, who provided investigators with letters from her archives that documented Lea's ongoing quest to have the Schiele returned---a crucial piece of evidence in building the prosecutors' case.

Jane Kallir
But the praise that, for me, was totally unexpected was the lengthy tribute to my editor at the Wall Street Journal, Eric Gibson, for his eloquent analysis of why Nazi-loot restitutions are still important, even 70 years after the fact. At Thursday's ceremony, Howard Spiegler, the Bondis' lawyer, read this lengthy quote from Eric's past commentary:
Now that the afterglow of the celebration has worn off, I am left not only with the indelible impression that the luminous painting itself left on me, but also with some nagging misgivings about how the restitution settlement has played out. To me (and to others) there are several problematic aspects of the resolution, COMING SOON.
Lawyers, prosecutors and a Bondi family member did all the talking at Thursday's commemorative ceremony celebrating the $19-million settlement of the Bondi family's claims against the Leopold Museum, Vienna, in connection with Schiele's "Portrait of Wally," expropriated by the Nazis from Lea Bondi Jaray in 1939 and later acquired by Austrian mega-collector Rudolf Leopold.
But there were some key players, acknowledged with gratitude during the speeches, who stayed out of the spotlight. Chief among them was my ArtsJournal blogging colleague, Judith Dobrzynski, whose 1997 article in the NY Times set the investigative and legal wheels in motion. While the farflung Bondis bonded in the lobby of the Museum of Jewish Heritage before the ceremony, Judith was greeted like an honorary member of the mishpocheh (Yiddish for "family):
Judith Dobrzynski, left, at the Museum of Jewish Heritage on Thursday
As we learned from the speakers, one of Judith's articles caught the attention of the husband of U.S. Customs Special Agent Bonnie Goldblatt, who told his wife that the case might be something to delve into. The rest is history.
Bonnie was repeatedly acknowledged by the speakers and was seated in the audience. When I accosted her afterwards to take her photograph, I found out why she wasn't onstage. She allowed me to take a shot of her beaming face, but when she realized that it was for publication, she warned that I must use only this shot:
U.S. Customs Special Agent Bonnie Goldblatt
After all, the lady's still going undercover!
Also singled out for praise was another member of the audience, Jane Kallir, the New York dealer in German and Austrian Expressionists at Galerie St. Etienne, who provided investigators with letters from her archives that documented Lea's ongoing quest to have the Schiele returned---a crucial piece of evidence in building the prosecutors' case.
Jane Kallir
But the praise that, for me, was totally unexpected was the lengthy tribute to my editor at the Wall Street Journal, Eric Gibson, for his eloquent analysis of why Nazi-loot restitutions are still important, even 70 years after the fact. At Thursday's ceremony, Howard Spiegler, the Bondis' lawyer, read this lengthy quote from Eric's past commentary:
Now that the afterglow of the celebration has worn off, I am left not only with the indelible impression that the luminous painting itself left on me, but also with some nagging misgivings about how the restitution settlement has played out. To me (and to others) there are several problematic aspects of the resolution, COMING SOON.
August 2, 2010 11:47 AM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
CULTUREGRRL VIDEOS
My YouTube Channel
FIND ME ON
FOLLOW ME ON
________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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CONTACT ME
Write to me here.
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