Cultural Property News: CPAC Reviews U.S. Agreement with Italy; NY Times vs. Hawass, Continued

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At its meeting on Friday, the U.S. State Department's Cultural Property Advisory Committee heard testimony from museum directors, archaeologists and representatives of dealers and collectors as part of its interim review of this country's Memorandum of Understanding with Italy. The best summary I've found of these proceedings is on the Cultural Property Observer blog of Peter Tompa, an advocate for coin collectors and dealers and one of those who testified.

I'm hoping that the Association of Art Museum Directors (which has posted members' CPAC testimony in the past) will provide links to the full testimony of its director/representatives who spoke Friday in Washington: Maxwell Anderson, Indianapolis Museum of Art; Gary Vikan, Walters Art Gallery; Michael Conforti, Clark Art Institute (and AAMD's president); Kaywin Feldman, Minneapolis Institute.

According to Tompa's account, Feldman told CPAC that "her institution is the poorer because it had to return a long-term loan of "orphan artifacts" under the AAMD's new provenance rules and due to current restrictions, that void remains at her institution."

The Boston Museum of Fine Arts has recently added 10 objects---mostly Greek and Roman coins---to AAMD's registry for recently acquired objects with uncertain post-November 1970 provenances. It joins the Metropolitan Museum and Portland Art Museum in this effort to provide greater transparency.

Meanwhile, the NY Times continues its campaign against Zahi Hawass' reenergized campaign to repatriate objects to Egypt. (Give him a few fragments, he asks for Nefertiti.) In today's paper, science writer John Tierney picks up where Michael Kimmelman left off. But Tierney goes further, indiscriminately swallowing the entire James Cuno argument.

Tierney argues:

Restricting the export of artifacts hasn't ended their theft and looting any more than the war on drugs has ended narcotics smuggling. [By that logic, should we therefore also end the war on drugs? And what about the effect of export restrictions combined with greater enforcement efforts to curtail looting?]....

Dr. Hawass may consider the Rosetta Stone to be the property of his government agency, but the modern state of Egypt didn't even exist when it was discovered in 1799 (much less when it was inscribed in 196 B.C., during the Hellenistic era). The land was under the rule of the Ottoman Empire, and the local historians were most interested in studying their Islamic heritage. [Does this mean that modern-day Egyptians have no legitimate interest in preserving and studying the ancient cultural heritage of their region?]
I'm not saying that Hawass should get whatever he's seeking. I'm just saying that many of the arguments that have been advanced by "universal museum" proponents are specious.

The Hawass watch continues with Ian Parker's Letter from Cairo: The Pharaoh, a New Yorker profile that makes him seem like a megalomaniac, with an emphasis on the latter part of that word.

Although we haven't heard much about this lately, our country hasn't been exempt from Hawass harassment. The last time I looked, however (just nine days ago), this radiant lady was still safely ensconced in St. Louis (and posed serenely, behind glass, for her CultureGrrl photo):

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Mummy Mask of the Lady Ka-nefer-nefer, Dynasty 19 (1307-1196 B.C.), from Saqqara, St. Louis Art Museum
November 17, 2009 12:41 AM | |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.

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MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Landesman Produces Controversy
New Modern Wing at Art Institute of Chicago
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Modernist Abstraction Exhibitions in NYC

NEW YORK PUBLIC RADIO:
Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on November 17, 2009 12:41 AM.

Paying It Forward: You Donated to Me, I Bought Teachout’s "Pops" was the previous entry in this blog.

MeTube: Meet Me in St. Louis (with Ka-nefer-nefer and David Chipperfield) is the next entry in this blog.

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