Mummy Mask Morass: Egypt's Hawass Again Threatens to Haul St. Louis Director into Court

MummyMask.jpg
"Mummy Mask of the Lady Ka-nefer-nefer," Egyptian, Dynasty 19, St. Louis Art Museum

The fight over the St. Louis Art Museum's "Mummy Mask of the Lady Ka-nefer-nefer"
continues, with the stakes raised higher by the recent appointment of the museum's director, Brent Benjamin, to the U.S. State Department's Cultural Property Advisory Committee, which considers (and usually grants) source countries' requests for heritage protection.

Through the press, Zahi Hawass, head of Egypt's antiquities authority, has just renewed his previous threat to try to force Benjamin to face charges in Egyptian court. And on its website, the St. Louis museum has posted provenance details about the piece, including references to documents about its recent history. The museum bought the mask from Phoenix Ancient Art in 1998. (To see the provenance details, go here, scroll down to "search ancient objects," then click the second page, then click the image of the mummy mask.)

Today's Associated Press publicizes Hawass' renewed threat and gives a detailed run-down of the arguments on each side of this dispute.

AP reports:

[Mohammed Zakaria] Ghoneim [an Egyptian archaeologist] registered his discovery [of the mask} in the official ledger at the government warehouse, or magazine, at Saqqara. The page in the ledger book, a key document Egypt has presented to St. Louis to stake its claim, shows a high-quality photograph of the mask, the finder's name and ID number, and a detailed description.

In 1957, Ghoneim published his discovery in a book showing him and the mask at the site, which Egyptologists view as important evidence for Egypt's claim. A second record from Saqqara given to St. Louis showed the artifact was packed in a box with other antiquities in 1959 for a shipment to the Egyptian Museum in Cairo....

Because records were not kept or are lost, Egypt has not determined exactly when the mask was lost. Egyptian research concluded it was stolen in 1959, most likely from the Egyptian Museum in Cairo or en route to it from the Saqqara storeroom.

The [St. Louis] museum said it checked with the [Art Loss] registry before buying the mask to see if it was listed as stolen. It was not. St. Louis also sent a letter to the Egyptian Museum in Cairo saying that it had acquired the mask and that in its response, the Egyptian museum did not indicate the item was stolen. Egypt accuses St. Louis of falsifying the provenance, which documents the history of an artifact's ownership.

The museum's provenance puts the mask in the possession of a Belgian art dealer in 1952. However, Egypt can show that it was in the Saqqara storeroom in both 1952 and 1959, making it improbable it ever left there, especially to a foreign country, in the intervening years.

Hawass is pinning his hopes on a new Egyptian law, not yet passed, to aid his campaign to Marion True-ize Brent Benjamin. Has anyone in Cairo or St. Louis heard of negotiation or arbitration? Admittedly, Hawass has made constructive dialogue a lot harder to achieve, with his strident rhetoric and personal attacks on Benjamin: "This stupid man," he told AP, "he doesn't understand the rules here."
November 24, 2008 11:22 AM | |

About

CULTUREGRRL , aka Lee Rosenbaum, is your inside guide to the artworld, consulted daily by the most important museum directors and curators, art dealers and auctioneers, collectors, scholars, critics, journalists and art lovers.
LeeAcrop.jpg

KEEP CULTUREGRRL BLOGGING! Please Contribute (Secure transaction via PayPal):
(You do not need to have your own PayPal account: Click the "continue" link at lower left of the donation page.)

ADVERTISE on CultureGrrl MUSEUMS, GALLERIES, AUCTION HOUSES, ART PUBLICATIONS, ARTS PROGRAMS---Please go here and click the "CultureGrrl" box to place an ad. For more information on advertising, e-mail here. more

LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more

Contact me

Click here to send me an email...

more

Archives

Archives: 1980 entries and counting

Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

Blogroll

About this Entry

This page contains a single entry by CultureGrrl published on November 24, 2008 11:22 AM.

Eli Broad Offers LA MOCA a $30-Million Challenge Grant was the previous entry in this blog.

Italian Museum "Super-Manager": Illustrious Artworld Signatories Oppose New Profit-Driven Post is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

[advertisement]

[advertisement]

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.