Lees (free) List: What CultureGrrl is Reading

Hilt Fitting from the Staffordshire Hoard
I've given up trying to sell you links: No one's buying Lee's List, my failed quest for micro-donations. The best links in life are (alas) free:
---To Catch a Looter: On today's NY Times Op-Ed page, Roger Atwood, citing a Peruvian model as an example for Iraq, calls for citizen patrols of artifacts-rich sites as the best means to keep looters at bay. But nowhere does he say anything about compensating these antiquities vigilantes with anything other than "binoculars, cellphones, maybe a few dirt bikes and some basic training." They're supposed to be gratified by the notion that their locale may "benefit from the archaeological tourism that often follows such discoveries."
This brings to mind the happy news of Terry Herbert, a citizen archaeologist (more accurately, a metal detectorist) in Great Britain who stands to have a megabucks payday as a result of his spectacular find of Anglo-Saxon treasure, which he dutifully reported to the authorities. Here [via] is some of the professionally excavated Staffordshire Hoard that Herbert discovered. The British system of compensation for amateurs' finds is the best incentive against looting. (I discussed the citizen-archaeologist solution towards the end of my LA Times Op-Ed, Make Art Loans, Not War.)
---The highly controversial proposed Philadelphia art sales tax is (thankfully) dead. The Greater Philadelphia Arts Alliance has the story. As Gary Steuer, Philadelphia's chief cultural officer, writes in his blog, Pennsylvania's FY2010 budget, nearing passage, "is very much a "good news/bad news" scenario" for the arts:
The "arts tax" has been removed, and that is a good thing, and PCA [Pennsylvania Council on the Arts] has been preserved, which is also a good thing, but on the expense side the arts funding areas of the budget have seen some pretty significant cuts, and that of course is bad.---Zahi Hawass got his five fresco fragments from the Louvre. Now the head of Egypt's Supreme Council of Antiquities craves a long-term loan of the Rosetta Stone. Samer al-Atrush of the Telegraph reports that the British Museum "promised to consider Mr Hawass's request." Here's why Neil MacGregor, the museum's director, might think more than twice about it.
October 13, 2009 12:21 PM
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CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."

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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
CULTUREGRRL VIDEOS
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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CONTACT ME
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