Andy Warhol Museum’s Spousal Diplomacy Moment
Andy Warhol Museum, Pittsburgh
The Andy Warhol Museum is one of the sightseeing stops for participants in this week's G-20 Summit for the top-level discussion of economic issues. It's not on the itinerary of the heads of state, however. It's a lunchtime diversion for their spouses, who will get a chance to savor Pittsburgh's varied cultural riches while the fate of the world is decided (or not).
The just published Spousal Program, detailing the activities planned for the powers behind the presidents, says this about the time they will spend Friday at the Warhol (which, by amazing coincidence, is now showing: "Drawn to the Summit: A G-20 Exhibition of International Political Cartoons"):
Spouses will have the opportunity to silkscreen one of Andy Warhol's images of a flower onto a tote-bag that they can then take home with them as a memento of their visit to the museum.The time capsule may inspire a "whatever" response from puzzled onlookers. It's one of some 612 boxes in which the artist stashed whatever random ephemera happened to come his way---everything from newspaper clippings to financial records to business cards. We can only hope that they don't discover therein another autographed nude photo of Jackie Kennedy Onassis, as was recently found by an archivist hired by the Andy Warhol Foundation to sift through those capsules.
Another highlight of the tour will be the opening of one of Andy Warhol's heretofore sealed Time Capsules. Mr. Warhol is famous for having stored over 600 time capsules---each containing a variety of objects ranging from the mundane to the inspired. This is a chance for modern history to spring to life before the eyes of the First Lady's international guests.
But what we all REALLY want to know is:
What will Carla Sarkozy be wearing?
September 22, 2009 2:33 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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