The Rocco Landesman Show: A Mixed Review

LandeNEA.jpg
Rocco Landesman

Even a federal agency, in rolling out news of great interest to the entire nation's arts community, has a NY Times-first policy. The official announcement of Rocco Landesman's confirmation as chairman of the National Endowment for the Arts states:

Mr. Landesman will not be available immediately for media interviews [emphasis added]. However, those interested in scheduling an interview in the coming weeks should send an e-mail to comm@arts.gov.
That message from NEA hit my inbox at 5:14 p.m. yesterday, whereupon I dutifully e-mailed my interview request.

In today's NY Times (and on yesterday's nytimes.com) we disgruntledly discovered that Landesman would "not be available immediately for media interviews"...except for the NY Times.

In her scoop, Robin Pogrebin wrote:

In his first sit-down interview since his nomination by President Obama, Mr. Landesman's comments suggested that he may nevertheless raise hackles on Capitol Hill after he is sworn in in the next few days.
I completely endorse one of his hackle-raising ideas, relayed by Pogrebin as the de facto pool reporter for the nation's cultural journalists:

Mr. Landesman said he expected to focus on financing the best art, regardless of location.

"I don't know if there's a theater in Peoria, but I would bet that it's not as good as Steppenwolf or the Goodman," he said, referring to two of Chicago's most prominent theater companies. "There is going to be some push-back from me about democratizing arts grants to the point where you really have to answer some questions about artistic merit."
Grants predicated first and foremost on artistic excellence, not geography, would restore the agency's emphasis to where it ought to be. But there's a reason why geography is king: to keep the Congressman from Peoria happy. A sea change in NEA grantmaking has got to be implemented very carefully and communicated compellingly, or Congressional goodwill (already fraying) will be quickly squandered. Announcing his game-changing intentions in a his first press interview may not be the best political strategy.

While I'm all for merit-based grants, and I heartily applaud his desire to reinstate artist's fellowships, Landesman lost me with one of his other Big Ideas, as recorded by Pogrebin:

He talked about starting a program that he called "Our Town," which would provide home equity loans and rent subsidies for living and working spaces to encourage artists to move to downtown areas.
Let's remember that this is the National Endowment for the ARTS, not the U.S. Department of Housing and Urban Development. It should focus on supporting cultural projects and leave peripheral real estate and social services concerns to the appropriate federal agencies.
August 8, 2009 12:29 PM | |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I'm a regular cultural contributor on New York Public Radio (WNYC). I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, and on arts blogging at American University.

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IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
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Landesman Produces Controversy
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Lee Krasner's "Little Image "Paintings
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The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

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Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
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This Museum's Expansion is Simply Effective (Minneapolis Institute)
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LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

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Criticism of AAM's Cultural Diplomacy Initiative

WQXR, NEW YORK CLASSICAL RADIO
Modernist Abstraction Exhibitions in NYC

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Musical Diplomacy on "Soundcheck Smackdown"
Vermeer's "Milkmaid" at the Met
Art in the Obama White House
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

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Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

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Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on August 8, 2009 12:29 PM.

Twitter Dependency: Addicts in Painful Blather Withdrawal was the previous entry in this blog.

Nouvel’s World: 1,250-Foot-High Glass Tower "Not a Huge Building" is the next entry in this blog.

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