AAMDs Objects Registry: Metropolitan Museum Adds Three Sculptures with Incomplete Provenance

Jade disc (bi), Eastern Zhou Western Han Dynasty, 3rd-2nd Century B.C., Metropolitan Museum
While I was looking for updates on the website of the Association of Art Museum Directors, I surfed over to what has, for many months, been a one-object Object Registry of "archaeological material and ancient art [recently acquired by AAMD member institutions and] lacking complete provenance after November 1970." The registry was created pursuant to the association's year-old revised guidelines for acquisitions of such material.
Lo and behold, there are now three new entries on that registry---all from the Metropolitan Museum. Good for the Met: With entries that are comprehensive and transparent, it has helped to make this registry actually serve a purpose, rather than serve as cultural-property window dressing.
The three Met objects come from three diverse cultures. What I particularly like about these entries, as distinguished from that of the Portland Art Museum, is that they give clear, detailed "reasons for acquisition as an exception to the 1970 rule." The Met not only provides information about each object's known history (including ownership, exhibitions and when the object was first published), but also why it represents an important addition to the Met's collection (thus making it worth the risk that a claimant may come forward).
Here, for example, is an excerpt from the entry for a jade bi (disc) from China (pictured above), acquired by the Met for $121,000 from a March 2008 auction at Christie's:
This work has provenance established to at least 1984, when the work was published and offered for sale at public auction. This work fills a major gap in The Metropolitan Museum of Art's comprehensive collection of Asian art because the Museum has no other bi of this type from the 3rd century B.C. in its collection and because of the work's excellent quality and condition.To read the Met's entries on AAMD's registry for the two other sculptures---an Olmec (Mexico) seated figure and an early medieval Jain enthroned Jina (India), go here and here.
August 24, 2009 1:09 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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