Professor Philippe de Montebellos NYU Graduate Course: "The Meaning of Museums"

Philippe de Montebello in the waning days of his reign (last fall at the Metropolitan Museum)
Here it is, studious art-lings---the course description (scroll to P. 6) for the former Metropolitan Museum director's fall foray into academia at New York University's Institute of Fine Arts:
THE MEANING OF MUSEUMSI thought one of the "outstanding concerns of our times" was finding the resources to do all that. And while comparing "differences in approach between northern and southern European museums," why not also explore the considerable differences between European museums and those right here in the U.S.?
(Lecture) G43.2035.002
Philippe de Montebello
Tuesday 10:00am-Noon
The lectures survey selected issues in the prehistory of the museum, such as collecting in classical antiquity; the Ottonian Renaissance; church treasuries; the humanist studiolo and princely Kunstkammer; the birth of the "modern" museum in the Enlightenment; and the early history of the major European institutions, which emerged alongside the new scientific disciplines of archaeology and art history. The outstanding concerns of our times---among them patrimony, repatriation, context, interpretation, education and professionalization---are of particular interest, and today's museum serves as a constant against which the multiple agendas of collecting and display in the past can be assessed. As the course examines the museum as a Western European development, issues of special interest include the differences in approach between northern and southern European museums, and the relationship---historical and current---of Western museums to parts of the non-Euro-American world, in their earlier role as source-countries and more recently as players in our new age of globalization.
As it happens, two preeminent British museum directors just recently had their say on the American-European dichotomy (not to America's advantage): COMING SOON.
July 16, 2009 12:13 PM
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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University.
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