Text of Michelle Obama’s Speech at Metropolitan Museum’s Ribbon Cutting

Michelle.jpg
Michelle Obama's official portrait

If, like me, you would have liked to have been present at today's ribbon cutting by First Lady Michelle Obama at the Metropolitan Museum's renovated and reimagined American Wing, now you can! (I abandoned my own request to be included, when I learned on Saturday that I would have a more pressing commitment---my aunt's funeral.)

I've posted in full, below, the text of the First Lady's remarks, as dispatched to me by the White House. I think she hits the target.

A number of commentators have been poo-pooing Mrs. Obama's ceremonial appearance, but I'm hoping it's a first step in the right direction---recognition, not only through pomp but also through policy, of the importance of high culture in our national life. A civilization-enhancing federal program wasn't built in a day. This, one hopes, is just the prologue.

Here's what the First Lady said. The first part was, evidently, a response to Met president Emily Rafferty's allusion to the Obamas' first date, which began auspiciously at the Art Institute of Chicago (which itself had to settle for Presidential Chief of Staff Rahm Emanuel for the ribbon cutting inaugurating its new Modern Wing, which opened to the public on Saturday):

THE WHITE HOUSE

 Office of the First Lady

________________________________________________________________

For Immediate Release                             May 18, 2009

REMARKS BY THE FIRST LADY

AT THE RIBBON CUTTING CEREMONY

FOR THE METROPOLITAN MUSEUM OF ART AMERICAN WING

 Metropolitan Museum of Art

New York, New York

3:16 P.M. EDT

      MRS. OBAMA:  Thank you.  (Applause.)  Thank you so much.  Please, rest.  (Laughter.)  Good afternoon and thank you, Emily, for that introduction, and thank you for reminding me.  You know, after 20-some-odd years of knowing a guy, you forget that your first date was at a museum.  (Laughter.)   But it was, and it was obviously wonderful; it worked. 

      So I am delighted to be here with you to celebrate American history through the arts.  From the beginning of our nation, the inspired works of our artists and artisans have reflected the ingenuity, creativity, independence and beauty of this nation.  It is the painter, the potter, the weaver, the silversmith, the architect, the designer whose work continues to create an identity for America that is respected and recognized around the world as distinctive and new. 

      The American Wing of the Metropolitan Museum of Art captures this spirit in presenting a variety of American art forms and providing a link to history for us to learn from, appreciate and be inspired by.

      Our future as an innovative country depends on ensuring that everyone has access to the arts and to cultural opportunity.  Nearly 6 million people make their living in the non-profit arts industry, and arts and cultural activities contribute more than $160 billion to our economy every year.  And trust me, I tried to do my part to add to that number.  

      The President included an additional $50 million in funding to the NEA in the stimulus package to preserve jobs in state arts agencies and regional arts organizations in order to keep them up and running during the economic downturn.  (Applause.) 

      But the intersection of creativity and commerce is about more than economic stimulus, it's also about who we are as people.  The President and I want to ensure that all children have access to great works of art at museums like the one here.  We want them to have access to great poets and musicians in theaters around the country, to arts education in their schools and community workshops. 

      We want all children who believe in their talent to see a way to create a future for themselves in the arts community, be it as a hobby or as a profession. 

      The arts are not just a nice thing to have or to do if there is free time or if one can afford it.  Rather, paintings and poetry, music and fashion, design and dialogue, they all define who we are as a people and provide an account of our history for the next generation. 

      The President recently nominated renowned theater producer Rocco Landesman to chair the National Endowment for the Arts.  Rocco's entrepreneurial spirit and his commitment to being a bridge between the philanthropic, non-profit and commercial arts community will ensure that all types of art and creative expression are provided fertile ground to live and to grow.

      And that's what we hope to do at the White House, that's what we've been trying to do at the White House.  We've been trying to break down barriers that too often exist between major cultural establishments and the people in their immediate communities; to invite kids who are living inches away from the power and prestige and fortune and fame, we want to let those kids know that they belong here, too. 

      I want to applaud the Metropolitan Museum of Art for all the outreach that you do, for having kids like these here today to be involved in this and to experience this and to share this with us, because this is your place, too.  So we're very proud of the Met for the work that they've done. 

      So we are excited.  Thank you for including me.  And now we can get to the -- we're going to cut the ribbon now.

May 18, 2009 10:04 PM | |

About

CULTUREGRRL , aka Lee Rosenbaum, is your inside guide to the artworld, consulted daily by the most important museum directors and curators, art dealers and auctioneers, collectors, scholars, critics, journalists and art lovers.
LeeAcrop.jpg

KEEP CULTUREGRRL BLOGGING! Please Contribute (Secure transaction via PayPal):
(You do not need to have your own PayPal account: Click the "continue" link at lower left of the donation page.)

ADVERTISE on CultureGrrl MUSEUMS, GALLERIES, AUCTION HOUSES, ART PUBLICATIONS, ARTS PROGRAMS---Please go here and click the "CultureGrrl" box to place an ad. For more information on advertising, e-mail here. more

LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more

Contact me

Click here to send me an email...

more

Archives

Archives: 1985 entries and counting

Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

Blogroll

About this Entry

This page contains a single entry by CultureGrrl published on May 18, 2009 10:04 PM.

The Rose Closes (for now) was the previous entry in this blog.

"Best Blog": CultureGrrl Wins "Front Page Award" of Newswomen’s Club of NY is the next entry in this blog.

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

[advertisement]

[advertisement]

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.