First Lady as Muse: Michelle Obama to Visit the Met (and the ABT)
At the press preview for the Metropolitan Museum's "The Model as Muse" show, an E! television reporter had asked the museum's curator, Harold Koda, whether Michelle Obama would be attending the Costume Institute's gala that night. He deftly sidestepped, saying that he hoped that the President's wife would at some point visit the museum, to demonstrate her support for the arts.
Next week, she will---visiting not only the Met but also American Ballet Theatre.
This just in from the White House Media Affairs Office:
This also provides you with a rare Tom Campbell sighting:
We can only wonder whether Rocco Landesman, newly nominated by President Obama to become the next chairman of the National Endowment for the Arts, will be at the Met's ribbon cutting and the private conclave afterwards.
And you can only wonder, art-lings, what I think of that NEA news (not to mention the astonishing story about how a painting thought to be by the very young Michelangelo was snapped up by the Kimbell Museum's enterprising new director, Eric Lee, after the Met decided it would not acquire the work (even though its curator, Keith Christiansen, supports the attribution). Christiansen, who had orchestrated the famously expensive Duccio purchase, told Carol Vogel of the NY Times that, for the Michelangelo, "the timing wasn't right. We had other acquisitions on the dock."
They'd better be good ones!
(Why does all this news break when I'm away on assignment and have very little time to post?)
Next week, she will---visiting not only the Met but also American Ballet Theatre.
This just in from the White House Media Affairs Office:
Monday, May 18th: Mrs. Obama will continue to demonstrate her interest in and support for the arts by attending the ribbon cutting for the Metropolitan Museum of Art American Wing, which will be pooled press, followed by a private meeting with arts and entertainment leaders, which will be closed press. These activities are an extension of the First Lady's efforts started in Washington DC that have included trips to the Kennedy Center and Ford's Theater, as well as an evening celebrating the arts throughout the DC community hosted at the Shakespeare Theater....As far as I know (but I'll soon find out), Chicagoan Michelle will not be at the civic ceremony opening the Art Institute of Chicago's new Modern Wing on Saturday. Meanwhile, thanks to a Met podcast, below, you can get in ahead of Michelle to preview the Met's reconfigured Engelhard Court and balcony galleries. They will open to the public next Tuesday, along with the reordered and renovated early American period rooms, now strung together in a continuous, chronological circuit and explicated with computer touchscreens, instead of traditional signage.
Monday night, the First Lady will attend the American Ballet Opening Spring Gala at the Metropolitan Opera House. American Ballet Theatre's 2009 Spring Gala, which celebrates the opening of ABT's annual eight week season at the Met, will feature ABT's acclaimed Principal Dancers in highlights from the 2009 Spring season.
This also provides you with a rare Tom Campbell sighting:
We can only wonder whether Rocco Landesman, newly nominated by President Obama to become the next chairman of the National Endowment for the Arts, will be at the Met's ribbon cutting and the private conclave afterwards.
And you can only wonder, art-lings, what I think of that NEA news (not to mention the astonishing story about how a painting thought to be by the very young Michelangelo was snapped up by the Kimbell Museum's enterprising new director, Eric Lee, after the Met decided it would not acquire the work (even though its curator, Keith Christiansen, supports the attribution). Christiansen, who had orchestrated the famously expensive Duccio purchase, told Carol Vogel of the NY Times that, for the Michelangelo, "the timing wasn't right. We had other acquisitions on the dock."
They'd better be good ones!
(Why does all this news break when I'm away on assignment and have very little time to post?)
May 14, 2009 7:40 PM
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CULTUREGRRL , aka Lee Rosenbaum, is your inside guide to the artworld, consulted daily by the most important museum directors and curators, art dealers and auctioneers, collectors, scholars, critics, journalists and art lovers.

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more
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KEEP CULTUREGRRL BLOGGING! Please Contribute (Secure transaction via PayPal): (You do not need to have your own PayPal account: Click the "continue" link at lower left of the donation page.)
ADVERTISE on CultureGrrl MUSEUMS, GALLERIES, AUCTION HOUSES, ART PUBLICATIONS, ARTS PROGRAMS---Please go here and click the "CultureGrrl" box to place an ad. For more information on advertising, e-mail here. more
LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more
Contact me
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