Updates on Montclair Deaccessions: Two Gilbert Stuart Portraits; Audubon "Birds of America"
Montclair Art Museum
Yesterday, I reported that I had not yet received from the Montclair Art Museum the list of deaccessions I had been promised. (I commented further on the Montclair disposals here and here.)
Today, the list of consignments to Christie's (including the three June sales, whose details are not yet posted on the auction house's website) was sent to my inbox by Raechel Lutz, assistant to the museum's director, Lora Urbanelli. I still have not received details about the costume deaccessions that are scheduled (along with items from other consignors, including the Cleveland Museum of Art) to be auctioned tomorrow in New York, at a sale conducted by Augusta Auctions.
Among the many items on the list that I just received from Montclair are: Gilbert Stuart portraits of "Thomas Dawson, 1st Viscount Cremorne" and "William Robert Fitzgerald, 2nd Duke of Leinster," to be offered at Christie's on June 4; Audubon's "The Birds of America," seven volumes, offered there on June 24.
In the interest of furthering Montclair's transparency, I'm reproducing the entire list that it sent me, at the link below. It would have been far better if you could have found this compendium posted on the museum's own website (in the manner of the Indianapolis Museum of Art's new deaccession database, which should become every museum's gold standard for full disclosure).
Montclair Art Museum
Artwork for Deaccessioning
Spring 2009 - Christie's
Post-War and Contemporary Art Evening Sale
May 13, 2009
Jackson Pollock (1912-1956)
Untitled, 1951
signed and dated 'Jackson Pollock 51' (lower right)
enamel on paper
17½ x 22 1/8 in. (44.5 x 56.2 cm.)
Post-War and Contemporary Art Morning Session
May 14, 2009
Robert Motherwell (1915-1991)
White Music, 1983
signed and dated `R. Motherwell 83' (upper right); signed again,
titled, inscribed and dated again, `"WHITE MUSIC" R. Motherwell Summer,
1983' (on the reverse)
acrylic and printed paper collage on canvas laid down on masonite
72 x 36 in. (182.8 x 91.4 cm.)
Ad Reinhardt (1913-1967)
# 13--1953, 1952-53
signed `REINHARDT' (lower right); signed again and titled `Ad Reinhardt `52' (on the stretcher)
oil on canvas
27 x 9 in. (68.5 x 22.8 cm.)
Theodoros Stamos (1922-1997)
On Grey, 1947
signed and dated `T. Stamos `47' (lower left); signed again and titled
"ON GREY" Stamos' (on the reverse)
oil on masonite
24 x 29.3/4 in. (60.9 x 75.5 cm.)
Important American Paintings, Drawings and Sculpture
May 20, 2009
Charles Sheeler (1883-1965)
The Blue Roof
signed and dated 'Sheeler-47.' (lower right)
tempera on paperboard
4¾ x 6 in. (12.1 x 15.2 cm.)
Stuart Davis (1892-1964)
Lake Front
signed and dated 'Stuart Davis 1917' (lower right)
watercolor and pencil on paper
12½ x 15 in. (31.8 x 38.1 cm.)
John Marin (1870-1953)
Off Norton Island, Maine Coast
signed and dated 'Marin 33' (lower right)
watercolor on paper
15¼ x 21½ in. (38.7 x 54.6 cm.)
Edwin Willard Deming (1860-1942)
Dance at San Ildefonso Pueblo, New Mexico
signed 'EW Deming' with the artist's device and inscribed indistinctly (lower left)
oil on canvas
45¼ x 72½ in. (114.9 x 184.2 cm.)
Edward Henry Potthast (1857-1927)
Wading
signed 'E Potthast' (lower right)
oil on canvas
16 x 20¼ in. (40.6 x 51.4 cm.)
Robert Henri (1865-1929)
John Sloan, 1909
signed 'Robert Henri' (lower right)--inscribed '55/F' (on the reverse)--inscribed 'Sloan' (along the upper
and right tacking edges)
oil on canvas
24¼ x 20 in. (61.6 x 50.8 cm.)
George Benjamin Luks (1867-1933)
Man with a Violin, ca. 1910
signed 'George Luks' twice (lower left)
oil on canvas laid down on board
36 x 29¾ in. (91.4 x 75.6 cm.)
Julian Alden Weir (1852-1919)
A Glimpse of the Sound
signed and dated 'J. Alden Weir./1902' (lower right)
oil on canvas
20 x 24 in. (50.8 x 61 cm.)
Edward Willis Redfield (1869-1965)
Carversville Farm
signed and dated 'EW Redfield. 1946.' (lower right)--inscribed with title (on the stretcher)
oil on canvas
26 x 32 in. (66 x 81.3 cm.)
Edward Willis Redfield (1869-1965)
Christmas Morning, 1932
signed 'E.W. Redfield.' (lower left)
oil on canvas
32¼ x 40 in. (82 x 101.6 cm.)
Walter Elmer Schofield (1867-1944)
Frosty Morning
signed 'Schofield' (lower right)
oil on canvas
26¼ x 30¼ in. (66.7 x 76.8 cm.)
Irving Ramsey Wiles (1861-1948)
Schooners at Anchor
signed 'Irving R Wiles' (lower right)
oil on canvas
20¼ x 29 in. (51.4 x 73.7 cm.)
Childe Hassam (1859-1935)
The Dock at Noon
signed and dated 'Childe Hassam 1916' (lower right)
watercolor on paper laid down on board
15¼ x 22¼ in. (38.7 x 56.5 cm.)
William James Glackens (1870-1938)
Wickford Harbor, Rhode Island, 1909
signed 'W Glackens' (lower left)--dated '1909' and inscribed with title (on the upper stretcher bar)
oil on canvas
26 x 32 in. (66 x 81.3 cm.)
Irving Ramsey Wiles (1861-1948)
Shelter Island, 1928
signed 'Irving R Wiles' (lower right)
oil on canvas
32½ x 40 in. (82.6 x 101.6 cm.)
William Merritt Chase (1849-1916)
Portrait of William B. Dickson, 1905
signed with conjoined initials 'Wm.M. Chase.' (lower left)
oil on canvas
27 x 22 in. (68.6 x 55.9 cm.)
Albert Bierstadt (1830-1902)
Brook in Woods
bears signature 'ABierstadt.' (lower left)
oil on paper laid down on canvas laid down on masonite
20 x 29¾ in. (50.8 x 75.6 cm.)
Winslow Homer (1836-1910)
Two Men Rowing on a Lake, 1892
signed and dated 'Homer/1892' (upper right)
watercolor on paper
15 x 21½ in. (38.1 x 54.6 cm.)
Frederic Remington (1861-1909)
The Broncho Buster
inscribed 'Copyright by/Frederic Remington.' and 'ROMAN BRONZE WORKS. N.Y.' (on the base)--
inscribed 'No 190' (beneath the base)
bronze with brown patina
22½ in. (57.2 cm.) high
Charles H. Humphriss (1867-1934)
Indian's Appeal to Manitou, 1906
inscribed 'CH Humphriss/1906' (on the base)--stamped 'ROMAN BRONZE WORKS N-Y-' (along the
base)
bronze with brown patina
16½ in. (41.9 cm.) high on a marble base 2 in. (5.1 cm.) high
Hermon Atkins MacNeil (1866-1947)
A Chief of the Multnomah Tribe
inscribed 'HA MacNeil/'05' and 'MVLTNOMAH' (along the base)--stamped 'AMER. ART FDRY. NY' (along
the base)
bronze with brown patina
36 in. (91.4 cm.) high
Chaim Gross (1904-1991)
Handstand
inscribed 'Chaim/Gross' with the artist's device and stamped '2' and '1/6' (along the base)
bronze with brown patina
25¼ in. (64.1 cm.) high on a marble base 1¼ in. (3.2 cm.) high
Cast in 1977.
George Lovett Kingsland Morris (1905-1975)
Labyrinth
signed 'Morris' (lower right)--signed 'George L.K. Morris,' dated '1957' and inscribed with title (on the
reverse prior to lining)
oil on canvas
49¼ x 36 in. (125.1 x 91.4 cm.)
Ben Shahn (1898-1969)
Ohio Skyline, 1945
signed 'Ben Shahn' (lower right)
tempera on paperboard
10 x 25½ in. (25.4 x 64.8 cm.)
George Copeland Ault (1891-1948)
The Stairway
signed and dated 'G.C. Ault '21' (lower left)
oil on canvas
18¼ x 14¼ in. (46.4 x 36.2 cm.)
John F. Francis (1808-1886)
Still Life with Fruit and Nuts, 1868
signed and dated 'J.F. Francis, 1868.' (lower right)
oil on canvas
10½ x 13½ in. (26.7 x 34.3 cm.)
Thomas Worthington Whittredge (1820-1910)
The Glen, 1862
signed and dated 'W. Whittredge/1862' (lower right)
oil on canvas
24 x 20 in. (61 x 50.8 cm.)
Jasper Francis Cropsey (1823-1900)
View of Sugar Loaf Mountain from the Artist's Home, 1875
signed and dated 'J.F Cropsey 1875' (lower center)
oil on canvas
14¼ x 24¼ in. (36.2 x 61.6 cm.)
Thomas Ball (1819-1911)
Sunshine, 1872
signed and dated 'T. BALL 1872' (on the reverse)
marble
19 in. (48.3 cm.) high
Old Master and 19th Century Art
June 4, 2009
Gilbert Stuart (North Kingston, RI 1755-1828 Boston)
Portrait of Thomas Dawson, 1st Viscount Cremorne (1725-1813),
half-length, in a brown jacket
oil on canvas
36 1/4 x 28.1/2 in. (92.1 x 72.4 cm.)
Gilbert Stuart (North Kingston, RI 1755-1828 Boston)
Portrait of William Robert Fitzgerald, 2nd Duke of Leinster
(1749-1804), half-length, wearing the Order of St. Patrick
oil on canvas
32 1/4 x 27 in. (82 x 68.5 cm.)
Christie's Interiors
June 10, 2009
American School, 19th Century
Portait of a lady seated on a sofa holding a book
oil on canvas
30 1/4 x 25 in. (76.8 x 63.5 cm.), unframed
American School, 19th Century
Portrait of a boy playing with a hoop
oil on canvas
30 1/4 x 25 in. (76.8 x 63.5 cm.)
American School, 19th Century
Portrait of a child with a hoop and a toy horse
oil on canvas
35 1/2 x 29 1/4 in. (90.2 x 74.3 cm.)
American School, 19th Century
Portrait of a child with a hoop and a toy horse
oil on canvas
35 1/2 x 29 1/4 in. (90.2 x 74.3 cm.)
American School, 19th Century
Double head study
oil on canvas
12 x 18 in. (30.5 x 45.7 cm.)
American School, 19th Century
Portrait of a girl in a pink dress
oil on canvas
36 x 29 in. (91.4 x 73.7 cm.)
American School, 19th Century
Portrait of Howard Jackson
oil on canvas, oval
24 x 19 3/4 in. (61 x 50.2 cm.)
John Henry Dolph (American, 1835-1903)
Cat with her kittens
signed `JDolph' (lower left)
oil on canvas
18 1/4 x 24 in. (46.4 x 61 cm.)
Henry Thomas Gulick (American, 20th Century)
The red sofa
oil on plywood
14 3/4 x 18 3/4 in. (37.5 x 47.6 cm.)
William McDougal Hart (American, 1823-1894)
Autumn by the lake in the mountains, 1864
signed and dated `Wm. HART 64' (lower left)
oil on canvas
40 1/4 x 54 1/4 in. (102.2 x 137.8 cm.)
Leon Karp (American, 20th Century)
The Yellow Settee
signed `Leon Karp' (lower right)
oil on canvas
53 1/4 x 36 1/2 in. (135.3 x 92.7 cm.)
American School, 19th Century
Mother with child holding cherries
oil on canvas
12 1/4 x 8 3/4 in. (31.1 x 22.2 cm.)
American School, 19th Century
A leisure day in the meadow; and a companion painting
each oil on canvas
each 26 x 36 1/4 in. (66 x 92.1 cm.)
American School, 19th Century
Portrait of a gentleman in a black costume
oil on panel
29 x 23 1/2 in. (73.7 x 59.7 cm.)
Frederick Ballard Williams (American, 1871-1956)
Ragged Island, Maine
signed `Fredk. Ballard Williams' (lower right)
oil on canvas
27 1/4 x 32 in. (69.2 x 81.3 cm.)
Books and Manuscripts
June 24, 2009
John James Audubon. The Birds of America.
New York, 1940-1944. 7 vols.
Artwork for Deaccessioning
Spring 2009 - Christie's
Post-War and Contemporary Art Evening Sale
May 13, 2009
Jackson Pollock (1912-1956)
Untitled, 1951
signed and dated 'Jackson Pollock 51' (lower right)
enamel on paper
17½ x 22 1/8 in. (44.5 x 56.2 cm.)
Post-War and Contemporary Art Morning Session
May 14, 2009
Robert Motherwell (1915-1991)
White Music, 1983
signed and dated `R. Motherwell 83' (upper right); signed again,
titled, inscribed and dated again, `"WHITE MUSIC" R. Motherwell Summer,
1983' (on the reverse)
acrylic and printed paper collage on canvas laid down on masonite
72 x 36 in. (182.8 x 91.4 cm.)
Ad Reinhardt (1913-1967)
# 13--1953, 1952-53
signed `REINHARDT' (lower right); signed again and titled `Ad Reinhardt `52' (on the stretcher)
oil on canvas
27 x 9 in. (68.5 x 22.8 cm.)
Theodoros Stamos (1922-1997)
On Grey, 1947
signed and dated `T. Stamos `47' (lower left); signed again and titled
"ON GREY" Stamos' (on the reverse)
oil on masonite
24 x 29.3/4 in. (60.9 x 75.5 cm.)
Important American Paintings, Drawings and Sculpture
May 20, 2009
Charles Sheeler (1883-1965)
The Blue Roof
signed and dated 'Sheeler-47.' (lower right)
tempera on paperboard
4¾ x 6 in. (12.1 x 15.2 cm.)
Stuart Davis (1892-1964)
Lake Front
signed and dated 'Stuart Davis 1917' (lower right)
watercolor and pencil on paper
12½ x 15 in. (31.8 x 38.1 cm.)
John Marin (1870-1953)
Off Norton Island, Maine Coast
signed and dated 'Marin 33' (lower right)
watercolor on paper
15¼ x 21½ in. (38.7 x 54.6 cm.)
Edwin Willard Deming (1860-1942)
Dance at San Ildefonso Pueblo, New Mexico
signed 'EW Deming' with the artist's device and inscribed indistinctly (lower left)
oil on canvas
45¼ x 72½ in. (114.9 x 184.2 cm.)
Edward Henry Potthast (1857-1927)
Wading
signed 'E Potthast' (lower right)
oil on canvas
16 x 20¼ in. (40.6 x 51.4 cm.)
Robert Henri (1865-1929)
John Sloan, 1909
signed 'Robert Henri' (lower right)--inscribed '55/F' (on the reverse)--inscribed 'Sloan' (along the upper
and right tacking edges)
oil on canvas
24¼ x 20 in. (61.6 x 50.8 cm.)
George Benjamin Luks (1867-1933)
Man with a Violin, ca. 1910
signed 'George Luks' twice (lower left)
oil on canvas laid down on board
36 x 29¾ in. (91.4 x 75.6 cm.)
Julian Alden Weir (1852-1919)
A Glimpse of the Sound
signed and dated 'J. Alden Weir./1902' (lower right)
oil on canvas
20 x 24 in. (50.8 x 61 cm.)
Edward Willis Redfield (1869-1965)
Carversville Farm
signed and dated 'EW Redfield. 1946.' (lower right)--inscribed with title (on the stretcher)
oil on canvas
26 x 32 in. (66 x 81.3 cm.)
Edward Willis Redfield (1869-1965)
Christmas Morning, 1932
signed 'E.W. Redfield.' (lower left)
oil on canvas
32¼ x 40 in. (82 x 101.6 cm.)
Walter Elmer Schofield (1867-1944)
Frosty Morning
signed 'Schofield' (lower right)
oil on canvas
26¼ x 30¼ in. (66.7 x 76.8 cm.)
Irving Ramsey Wiles (1861-1948)
Schooners at Anchor
signed 'Irving R Wiles' (lower right)
oil on canvas
20¼ x 29 in. (51.4 x 73.7 cm.)
Childe Hassam (1859-1935)
The Dock at Noon
signed and dated 'Childe Hassam 1916' (lower right)
watercolor on paper laid down on board
15¼ x 22¼ in. (38.7 x 56.5 cm.)
William James Glackens (1870-1938)
Wickford Harbor, Rhode Island, 1909
signed 'W Glackens' (lower left)--dated '1909' and inscribed with title (on the upper stretcher bar)
oil on canvas
26 x 32 in. (66 x 81.3 cm.)
Irving Ramsey Wiles (1861-1948)
Shelter Island, 1928
signed 'Irving R Wiles' (lower right)
oil on canvas
32½ x 40 in. (82.6 x 101.6 cm.)
William Merritt Chase (1849-1916)
Portrait of William B. Dickson, 1905
signed with conjoined initials 'Wm.M. Chase.' (lower left)
oil on canvas
27 x 22 in. (68.6 x 55.9 cm.)
Albert Bierstadt (1830-1902)
Brook in Woods
bears signature 'ABierstadt.' (lower left)
oil on paper laid down on canvas laid down on masonite
20 x 29¾ in. (50.8 x 75.6 cm.)
Winslow Homer (1836-1910)
Two Men Rowing on a Lake, 1892
signed and dated 'Homer/1892' (upper right)
watercolor on paper
15 x 21½ in. (38.1 x 54.6 cm.)
Frederic Remington (1861-1909)
The Broncho Buster
inscribed 'Copyright by/Frederic Remington.' and 'ROMAN BRONZE WORKS. N.Y.' (on the base)--
inscribed 'No 190' (beneath the base)
bronze with brown patina
22½ in. (57.2 cm.) high
Charles H. Humphriss (1867-1934)
Indian's Appeal to Manitou, 1906
inscribed 'CH Humphriss/1906' (on the base)--stamped 'ROMAN BRONZE WORKS N-Y-' (along the
base)
bronze with brown patina
16½ in. (41.9 cm.) high on a marble base 2 in. (5.1 cm.) high
Hermon Atkins MacNeil (1866-1947)
A Chief of the Multnomah Tribe
inscribed 'HA MacNeil/'05' and 'MVLTNOMAH' (along the base)--stamped 'AMER. ART FDRY. NY' (along
the base)
bronze with brown patina
36 in. (91.4 cm.) high
Chaim Gross (1904-1991)
Handstand
inscribed 'Chaim/Gross' with the artist's device and stamped '2' and '1/6' (along the base)
bronze with brown patina
25¼ in. (64.1 cm.) high on a marble base 1¼ in. (3.2 cm.) high
Cast in 1977.
George Lovett Kingsland Morris (1905-1975)
Labyrinth
signed 'Morris' (lower right)--signed 'George L.K. Morris,' dated '1957' and inscribed with title (on the
reverse prior to lining)
oil on canvas
49¼ x 36 in. (125.1 x 91.4 cm.)
Ben Shahn (1898-1969)
Ohio Skyline, 1945
signed 'Ben Shahn' (lower right)
tempera on paperboard
10 x 25½ in. (25.4 x 64.8 cm.)
George Copeland Ault (1891-1948)
The Stairway
signed and dated 'G.C. Ault '21' (lower left)
oil on canvas
18¼ x 14¼ in. (46.4 x 36.2 cm.)
John F. Francis (1808-1886)
Still Life with Fruit and Nuts, 1868
signed and dated 'J.F. Francis, 1868.' (lower right)
oil on canvas
10½ x 13½ in. (26.7 x 34.3 cm.)
Thomas Worthington Whittredge (1820-1910)
The Glen, 1862
signed and dated 'W. Whittredge/1862' (lower right)
oil on canvas
24 x 20 in. (61 x 50.8 cm.)
Jasper Francis Cropsey (1823-1900)
View of Sugar Loaf Mountain from the Artist's Home, 1875
signed and dated 'J.F Cropsey 1875' (lower center)
oil on canvas
14¼ x 24¼ in. (36.2 x 61.6 cm.)
Thomas Ball (1819-1911)
Sunshine, 1872
signed and dated 'T. BALL 1872' (on the reverse)
marble
19 in. (48.3 cm.) high
Old Master and 19th Century Art
June 4, 2009
Gilbert Stuart (North Kingston, RI 1755-1828 Boston)
Portrait of Thomas Dawson, 1st Viscount Cremorne (1725-1813),
half-length, in a brown jacket
oil on canvas
36 1/4 x 28.1/2 in. (92.1 x 72.4 cm.)
Gilbert Stuart (North Kingston, RI 1755-1828 Boston)
Portrait of William Robert Fitzgerald, 2nd Duke of Leinster
(1749-1804), half-length, wearing the Order of St. Patrick
oil on canvas
32 1/4 x 27 in. (82 x 68.5 cm.)
Christie's Interiors
June 10, 2009
American School, 19th Century
Portait of a lady seated on a sofa holding a book
oil on canvas
30 1/4 x 25 in. (76.8 x 63.5 cm.), unframed
American School, 19th Century
Portrait of a boy playing with a hoop
oil on canvas
30 1/4 x 25 in. (76.8 x 63.5 cm.)
American School, 19th Century
Portrait of a child with a hoop and a toy horse
oil on canvas
35 1/2 x 29 1/4 in. (90.2 x 74.3 cm.)
American School, 19th Century
Portrait of a child with a hoop and a toy horse
oil on canvas
35 1/2 x 29 1/4 in. (90.2 x 74.3 cm.)
American School, 19th Century
Double head study
oil on canvas
12 x 18 in. (30.5 x 45.7 cm.)
American School, 19th Century
Portrait of a girl in a pink dress
oil on canvas
36 x 29 in. (91.4 x 73.7 cm.)
American School, 19th Century
Portrait of Howard Jackson
oil on canvas, oval
24 x 19 3/4 in. (61 x 50.2 cm.)
John Henry Dolph (American, 1835-1903)
Cat with her kittens
signed `JDolph' (lower left)
oil on canvas
18 1/4 x 24 in. (46.4 x 61 cm.)
Henry Thomas Gulick (American, 20th Century)
The red sofa
oil on plywood
14 3/4 x 18 3/4 in. (37.5 x 47.6 cm.)
William McDougal Hart (American, 1823-1894)
Autumn by the lake in the mountains, 1864
signed and dated `Wm. HART 64' (lower left)
oil on canvas
40 1/4 x 54 1/4 in. (102.2 x 137.8 cm.)
Leon Karp (American, 20th Century)
The Yellow Settee
signed `Leon Karp' (lower right)
oil on canvas
53 1/4 x 36 1/2 in. (135.3 x 92.7 cm.)
American School, 19th Century
Mother with child holding cherries
oil on canvas
12 1/4 x 8 3/4 in. (31.1 x 22.2 cm.)
American School, 19th Century
A leisure day in the meadow; and a companion painting
each oil on canvas
each 26 x 36 1/4 in. (66 x 92.1 cm.)
American School, 19th Century
Portrait of a gentleman in a black costume
oil on panel
29 x 23 1/2 in. (73.7 x 59.7 cm.)
Frederick Ballard Williams (American, 1871-1956)
Ragged Island, Maine
signed `Fredk. Ballard Williams' (lower right)
oil on canvas
27 1/4 x 32 in. (69.2 x 81.3 cm.)
Books and Manuscripts
June 24, 2009
John James Audubon. The Birds of America.
New York, 1940-1944. 7 vols.
April 28, 2009 12:22 PM
| Permalink
|
About
CULTUREGRRL (Lee Rosenbaum) is the artworld's award-winning "best blog."
Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
CULTUREGRRL VIDEOS
My YouTube Channel
FIND ME ON
FOLLOW ME ON
LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
more
CONTACT ME
Write to me here.
more
Photo © by Jill Krementz
CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
CONTACT ME: here.
CULTUREGRRL VIDEOS
My YouTube Channel
FIND ME ON
FOLLOW ME ON
________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
more
CONTACT ME
Write to me here.
more
Blogroll
About Last Night
Art History Newsletter
Art Law Blog
Art Observed
The Art Tribune (France)
Art Unwashed (Laura Gilbert)
Artopia
bloggers@brooklynmuseum
Design Observer
A Don's Life
Edward Lifson
Exhibitionist (Boston)
Eye Level (SAAM)
HuffPost Arts
LA Observed (Los Angeles)
Looting Matters
NewYorkology--Architecture
NewYorkology--Museums
Opera Chic
Slipped Disc (Norman Lebrecht)
Slog (Seattle)
Unframed (LACMA)
Walker
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
State of the Art
innovations and impediments in not-for-profit arts
innovations and impediments in not-for-profit arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
The Unanswered Question
Joe Horowitz on music
Joe Horowitz on music
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
