Hackett’s Hatchet Job: CultureGrrl Gets Nicked

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I feared it was only a matter of time before Regina Hackett, a refugee from the Seattle Post-Intelligencer (now online only), started sniping at me on my home turf, ArtsJournal, whose roster of bloggers she recently joined. On her now defunct "Art to Go" blog, she delighted in periodically taking personal potshots at me.

So it was today (in a post to which I won't link), when she linked to four of my pleas for financial support of CultureGrrl, and advised me to consult a fundraising expert. (Her link on the word "expert" is to a photo of a homeless man with tin cup.)

As I indicated in one of my cup-rattling posts, the only thing I find more distasteful than repeatedly soliciting regular readers for "voluntary subscriptions" is continuing this project in its current form, without significant remuneration.

That said, I'd like to recognize with gratitude the ad from the Shelburne Museum that now graces my righthand column. I had hoped for my ad space to be replete with museum, gallery and book publishers' offerings. But without an ad sales person, I've found that avenue of fundraising to be mostly a dead end. You have only to look at the arts sections in mainstream-media publications to know that this is a tough environment for art-related ad sales everywhere, not just in specialized niches like mine.

The CultureGrrl Fund Drive began promisingly in mid-February. But my list of financially generous readers now appears to be stuck at 24. My "Donate" button seems to have become vestigial. So, with much regret (but also some pride in what I created), I'm planning to repurpose this blog on or about Apr. 23, CultureGrrl's third anniversary. It will become an occasional outlet for my analysis and commentary, in the manner of some of the less active sites on ArtsJournal. If the financial recompense for blogging miraculously picks up, so will the pace of my posts. The button and the ad space remain at your disposal.

I'm sure there are some, like Regina, who will regard this cutback as a welcome development. And I know, from all the positive feedback I've received over the past three years, that many devoted readers will miss me, as I will you.

I'll end this maudlin maundering by responding to the one reader of Regina's blog, "CB," who commented on her swipe at me. CB wrote to Regina:

Thank you! Once, ok, I was thinking of donating...maybe I still will. But something about soliciting from barely-paid museum professionals seems a little off.
CB, I'm moved that you even thought of donating. The last thing I want to do is take bread from the mouths of struggling museum professionals. (Some of my readers, including several munificent donors, are not in that category.) It's time to earn my keep the old-fashioned way, by giving lectures (a relatively new endeavor for me, which I owe to the blog), writing mainstream-media articles and, I hope, getting a contract for the book that I've foolishly neglected in my blogging frenzy.

Barring a sudden surge of support, there will soon be far fewer posts. Still, I'll keep you posted occasionally on my thoughts and professional activities.

Speaking of repurposing: Do you know how the sumptuous space of the bankrupt, legally besieged Salander O'Reilly Galleries is being repurposed? COMING TOMORROW.
April 1, 2009 9:53 PM | |

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CULTUREGRRL , aka Lee Rosenbaum, is your inside guide to the artworld, consulted daily by the most important museum directors and curators, art dealers and auctioneers, collectors, scholars, critics, journalists and art lovers.
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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more

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Archives: 1980 entries and counting

Me Elsewhere

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MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

PHILADELPHIA INQUIRER
Her Art Came First: Anne d'Harnoncourt's Labor of Love

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

PHILADELPHIA PUBLIC RADIO:
Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on April 1, 2009 9:53 PM.

Cézanne and Beyond (...and beyond...)...and UPDATED was the previous entry in this blog.

Salander’s Ruined Art Showplace Becomes Decorators’ Show House is the next entry in this blog.

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