MAD Deaccessions: Museum of Arts and Design's Disposals at Bonhams

Esherick.JPG
Wharton Esherick cherrywood table, consigned by Museum of Arts and Design to be sold Dec. 10 at Bonhams
 
While the Museum of Arts and Design was loudly trumpeting the opening of its new facility on Columbus Circle, it was also quietly planning the sale of objects from its collection---not at Sotheby's or Christie's, but at the more under-the-radar, British-based Bonhams. My request for more details from Bonhams and MAD are still unanswered, but here's what appeared in the auction house's announcement of the Dec. 10 sale, to be held by its New York branch:

Property from the Museum of Arts and Design, the country's leading cultural institution dedicated to exploring the creative processes of contemporary artists and designers from around the world, presents an opportunity for collectors and other institutional curators to own works from their collection---property offered to benefit future acquisitions at the museum.

This superb selection includes furniture and decorative arts by many notable artists. Offered will be a fine Wharton Esherick cherrywood table (est. $20/30,000) and a handsome Wendell Castle Plaintain coffee table (est. $8/12,000). A selection of wood vessels by Ed Moulthrop, Bob Stocksdale, Mark Lindquist, and Ron Kent will also be presented. A rare Louise Bourgeois porcelain sculpture produced by Sevres and titled "Fallen Women" could bring as much as $5,000. The museum property is rounded out by an exciting collection of contemporary sculptures by Czechoslovakian glass artists Bretislav Novak, Rene Rubicek, Jaroslav Svoboda, and Dana Zamecnikova.

In response to my query for more details, Bonhams spokesperson Staci Smith wrote: "I just found that the department is actually still in the process of cataloguing, so unfortunately I'm unable to provide a full list of items and catalogue descriptions at the moment. I'll have a better idea of everything when they're in the final stages, which will be a few weeks from now."

I am still awaiting information from MAD on the list of lots and the rationale for putting them on the block, which I had requested from the museum on Friday. So far, they've just sent me this statement from the director, Holly Hotchner:

In anticipation of our move to our new location at Columbus Circle, we
have been able to significantly upgrade our collection both in breadth
and depth. The de-accessioning of certain works has allowed the Museum
to make a major advancement in terms of the quality of the collection.

Perhaps they'd prefer not to have publicity about their new acquisitions commingled with publicity about their new deaccessions.

October 15, 2008 2:12 PM | |

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LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more

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IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection(museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Michael Conforti Profile
Making Sales Look Stronger
Lee Krasner's "Little Image "Paintings
Ando-Designed Stone Hill Center for Conservation and Clark Exhibitions
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
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This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
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Museum of Arts and Design Opens
New Met Director, Brian Lehrer Show
Tom Campbell Named Met Director
Whitney Museum's Expansion
Fake Coptic Art at Brooklyn Museum
Spring '08 Art Auctions
Should Veterans or Newcomers Lead Arts Organizations?
Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on Fall '07 Art Market

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Philadelphia Museum's "Gross Clinic" Deaccessions
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

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Impressionist/Modern Auction at Sotheby's

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About this Entry

This page contains a single entry by CultureGrrl published on October 15, 2008 2:12 PM.

Fisk's Stieglitz Collection: Back on View at Last? was the previous entry in this blog.

Bonhams Antiquities Controversy: 10 Works Withdrawn After Italy Intervenes is the next entry in this blog.

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