Philippe The Exhibition: His Acquisitions Become a Show and a Syllabus
Signature image of the Philippe retrospective:
Peter Paul Rubens, "Rubens, His Wife Helena Fourment and Their Son Peter Paul," probably late 1630s, Metropolitan Museum of Art
Not only are the Metropolitan Museum's more than 84,000 works acquired during the 31-year reign of director Philippe de Montebello going to be celebrated in an exhibition of more than 250 selected objects, but they are also the focus of a graduate art history course, named for the exhibition, offered this fall at New York University's Institute of Fine Arts.
NYU's colloquium (click on "Fall 2008 Courses in Art History and Archaeology" and scroll to the bottom), "Curatorial Studies II: The Philippe de Montebello Years," will be taught by the Met's Byzantine art curator, Helen Evans, who is also coordinating the museum's upcoming show, Oct. 24-Feb. 1.
In case you want to audit (though I doubt you can), here's the course description:
The role of acquisitions in the development of a major museum will be explored through "The Philippe de Montebello Years," an exhibition which recognizes the importance of the more than 80,000 works that have entered The Metropolitan Museum during the three decades of his tenure. Students consider the impact of purchases, donors, new/old fields of collecting on the selection of works and the resulting impact on the character of the Museum.But wait! This is course is also very hands-on:
Students participate in the final stages of the exhibition's development.Does this mean that they can take on Philippe's customary role, tinkering with installations after the curators have finished?
No details yet on the first course that Professor de Montebello will teach at NYU after he leaves the Met. Here's what Kathleen Heins, Director of Development & Public Affairs for NYU's IFA, told me:
Mr. de Montebello's appointment will be effective in January 2009, or upon the arrival of his successor at the Metropolitan Museum of Art. Thus, his first course will be scheduled once we know when he will take up his appointment.
July 30, 2008 6:21 PM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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