Robert Rauschenberg, 82: Forever Young, Always Remembered

Rausch2.jpg
Robert Rauschenberg at MASS MoCA during installation of "The 1/4 Mile or 2 Furlong Piece," 1999

The above publicity image of the late Robert Rauschenberg is the only photo of anyone other than my own family that I display in my house. (It's taped to a wall in my office.) He inspired me with the breathtaking audacity of his improbable but irresistible inventions and his feisty, rebellious spirit. As a speaker, he was as impetuous and unpredictable as his art. And I happened to be a few feet away during the legendary moment at the conclusion of the 1973 Robert Scull auction at Sotheby Parke Bernet, when Rauschenberg confronted the collector and declared: "I've been working my ass off just for you to make that profit!"

He was one of those artists who always came back into relevance, for good reason: His was a youthful, constantly questing spirit. Just a few months ago, at the press preview for the opening of the new New Museum, senior curator Laura Hoptman told me that Rauschenberg was one of of the main forebears for the artists in the new facility's very favorably received inaugural show, consisting of collages and assemblages by a new generation.

I can't agree with Michael Kimmelman, who seems to imply in his NY Times obit that the above piece, installed at MASS MoCA in 1999, "did not live up to his earlier achievements." I regarded it as an astonishing, ingenious tour de force.

There is a project I'm working on for which I had been hoping to speak to him soon. I waited too long.
May 14, 2008 12:02 AM |

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CULTUREGRRL is your inside guide to the artworld, consulted daily by the most important museum directors and curators, art dealers and auctioneers, collectors, scholars, critics, journalists and art lovers. Bringing wit and wisdom to informed, informative reviews of artworld events and issues, CultureGrrl (aka Lee Rosenbaum) is avidly read for her influential critiques of best and worst practices in the field.

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LEE ROSENBAUM LeeAcrop.jpg I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I am contributing editor of Art in America magazine and a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School and on museum governance at Seton Hall University.

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The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

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The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
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This Museum's Expansion is Simply Effective (Minneapolis Institute)
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A Betrayal of Trust (NY Public Library's art sales)
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LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

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Criticism of AAM's Cultural Diplomacy Initiative

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Murakami at Brooklyn Museum
Whitney Biennial
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
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Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

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Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

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This page contains a single entry by CultureGrrl published on May 14, 2008 12:02 AM.

Universal World Heritage...Except When It's Rent-a-Show Time was the previous entry in this blog.

My "Youth vs. Experience" Musings on WNYC's Radio "Smackdown" is the next entry in this blog.

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