BlogBack: Christian Kleinbub Takes Cuno's Side on Cultural Property
Edward Rothstein, in a long think piece in today's NY Times, takes James Cuno's side in the cultural property wars. (I'll have more on that later.) As CultureGrrl readers know, I have a nuanced view on these issues, and don't fit neatly into either camp. Too often, each side in the cultural-property divide exaggerates its position to make its polemical point, rendering reasonable compromise---the only way these issues will be resolved---more difficult.
Here's the response of one CultureGrrl reader, Christian Kleinbub, assistant professor, of art history, Ohio State University, to Cuno Conundrum: Whose Law Is It, Anyway?, my post criticizing Cuno's new book:
Here's the response of one CultureGrrl reader, Christian Kleinbub, assistant professor, of art history, Ohio State University, to Cuno Conundrum: Whose Law Is It, Anyway?, my post criticizing Cuno's new book:
I found your reactions to be much more animatedly negative than my own---to a degree that I would say is unfair. First, you criticize Cuno for saying that laws about looting simply don't work, citing the Italian example as evidence that they do. But this seems to me to be a merely academic point on your part. Do you really believe that most countries could have any effect like Italy's? Perhaps Italy is an exception that may be said to prove the rule.
Secondly, I would point out that Cuno himself addresses the fact that some people consider "partage" to be something akin to "pillage." Perhaps it is time for people to reconsider the issue. I sometimes think your sympathies get stretched a bit far, to the point of a certain ultra-orthodoxy. Emotions in these debates are often manipulated by governments and special interests: Is it either honest or intellectually correct to give them a free pass on all occasions?
Finally, I would add that Cuno is hardly the first person to point out that nationalist retentionist policies claiming direct descent from particular peoples sometimes strain intellectual credulity. Just because someone claims a certain heritage doesn't make it so. If we want to make sophisticated arguments about national patrimony, we need to make more objective evaluations of what is at stake. I suspect that this will involve evaluating the emotional nationalist claims of other countries instead of treating them as universally valid.
May 27, 2008 11:32 AM
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CULTUREGRRL is your inside guide to the artworld, consulted daily by the most important museum directors and curators, art dealers and auctioneers, collectors, scholars, critics, journalists and art lovers. Bringing wit and wisdom to informed, informative reviews of artworld events and issues, CultureGrrl (aka Lee Rosenbaum) is avidly read for her influential critiques of best and worst practices in the field.
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I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I am a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School and on museum governance at Seton Hall University.
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