Banksy Performs for YouTube? You Decide. UPDATED
UPDATE: Yikes! They took it down. If you click the video, below, it now says: "We're sorry, this video is no longer available." Does that mean it was done by a Banksy hoax-ster? Or was it created under professional auspices and not intended for free sharing?
Here's what I wrote right after I viewed the video:
There are lots of YouTube videos about Banksy, but now there's one on which the stealth artist himself appears to have collaborated, providing his own voiceover narration as the camera captures him in the act. As described by today's Daily Mail (which still has screenshots from the video):
I like this chap, who seems to be the real deal. But you'll have to decide for yourself (UPDATE: Now you can't. Maybe Banksy decided for us.):
UPDATE CONTINUED: The video, which seemed professionally produced, had been posted a week ago by "dog666fighter," a 25-year-old from Great Britain, and had logged 1,007 views.
Here's what I wrote right after I viewed the video:
There are lots of YouTube videos about Banksy, but now there's one on which the stealth artist himself appears to have collaborated, providing his own voiceover narration as the camera captures him in the act. As described by today's Daily Mail (which still has screenshots from the video):
He ends by stating that he's "in the entertainment business and also in the start-a-revolution business. And a bit of both is probably ideal."The clip features an interview with a man who, in a thick West Country accent, claims to be the anonymous guerrilla artist, and follows him around London as he creates several works.
In keeping with the Bristol-born artist's desire to keep his identity secret, the face of the man in the film is never seen, and he wears a large hat throughout.
I like this chap, who seems to be the real deal. But you'll have to decide for yourself (UPDATE: Now you can't. Maybe Banksy decided for us.):
UPDATE CONTINUED: The video, which seemed professionally produced, had been posted a week ago by "dog666fighter," a 25-year-old from Great Britain, and had logged 1,007 views.
April 1, 2008 11:59 AM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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