BlogBack: Director Louis Grachos on the Albright-Knox Expansion
Yesterday afternoon, Louis Grachos, director of the Albright-Knox Gallery, Buffalo, sent me these reactions to Is Richard Gluckman the Albright-Knox Expansion's "World-Renowned Architect"?:
We took a first step in a long thorough process by commissioning Richard Gluckman about 1½ years ago to give us some conceptual drawings as to what a 50,000-square-foot facility to house our growing collection might look like on our current campus. We asked him to look at the feasibility of a specific off-site location, as well. The Gluckman commission was meant to get our board and staff thinking about the possibilities of an expansion, not as a final plan.Grachos also attached his museum's Feb. 22 press release (still not posted on its Newsroom website, at this writing), which indicates that in addition to more gallery space, the expansion will likely include "a more functional entrance, improved parking, and a gift shop and restaurant that can be accessed even when the Gallery is closed. The staff, currently spread over three buildings, would be centralized for increased efficiencies."
Now a committee has been formed to begin the architect search, but we are at least one year away from selecting an architect. Parallel to the architect search will be a feasibility study for a capital campaign to fund the project.
The expansion project had nothing to do with the funds raised from deaccessioning which are in a restricted endowment for the purchase of art. Under the best circumstances, this project is at least six to eight years away from completion.
As you may know, our last successful expansion took place in 1962 and as our collection continues to grow the Gallery could benefit from a substantial increase in space.
March 6, 2008 9:27 AM
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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________________________
moreLEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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