Details on Guarantees Disclosed in Sotheby's Quarterly Report
The amount of risk involved in auction-house guarantees to consignors (whereby the house agrees to pay the guaranteed amount in the event that bidding does not reach that level) has been the subject of much recent speculation, in light of the failure to sell of several high-ticket guaranteed works in Wednesday's Impressionist/modern sale at Sotheby's.
Sotheby's latest Form 10-Q quarterly filing with the SEC, just released, provides some current statistics.
It shows that the total dollar value of Sotheby's outstanding guarantees as of Sept. 30 amounted to less than the middle of the presale estimate range for the guaranteed property.
Sotheby's 10-Q states:
As of September 30, 2007, the Company had outstanding auction guarantees totaling $458.5 million, the property relating to which had a mid-estimate sales price of $478.1 million. The Company's financial exposure under these auction guarantees is reduced by $6.8 million as a result of arrangements with unaffiliated third parties.
Substantially all of the property related to such auction guarantees is being offered at auctions in the fourth quarter of 2007 with the remainder of the property to be offered at auctions in the first half of 2008. As of September 30, 2007, $58.1 million of the guaranteed amount had been advanced by the Company and is recorded within Notes Receivable and Consignor Advances in the Condensed Consolidated Balance Sheet....
On November 7 and 8, 2007, the Company held its major autumn sales of Impressionist and Modern Art. While these sales were profitable overall, the Company did incur losses on certain auction guarantees that were outstanding as of September 30, 2007 and, as a result, the Company recorded a principal loss of $14.6 million within Auction and Related Revenues in the third quarter of 2007.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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