The Christie's-Sotheby's Horse Race: Almost a Dead Heat in Total Sales
Christie's has taken to touting itself as "the world's leading art business," but the results for the first half of 2007 indicate that its vaunted lead is miniscule: In its first-half financial results, issued today, publicly-traded Sotheby's reported record total sales (including auctions, privately negotiated sales and dealer transactions) of $3.24 billion. Christie's last month reported that its first-half total for public, private and dealer sales was $3.25 billion.
But first-half 2007 auction sales alone (excluding privately negotiated sales and sales through dealers) tell a somewhat different story: $2.87 billion at Sotheby's vs. $3.03 billion at Christie's.
Sotheby's also announced that, due to its strong results, it will increase its dividend for third-quarter 2007 to $0.15 a share from the previous $0.10. Sotheby's stock, as of 1:40 p.m. today, was (at 49.90) already up 3.02 from yesterday's close.
In addition, Sotheby's reported:
Income from continuing operations for the first half of 2007 was a record $131.7 million, a $63.2 million, or 92%, increase from the first half of 2006.
Christie's, which is privately held, does not publicize income figures.
For further details, go to Sotheby's first-half results press release, here; and Christie's first-half press release, here (scroll down to July 13).
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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