Sotheby's High-Flying Market Wager: $475 Million in Possible Guarantees to Consigors
To attract consignors who might be leery of selling in a climate of economic uncertainty, Sotheby's has boldly (if not rashly) upped the ante on its bet that art prices will stay firm this fall:
Just two weeks ago, Sotheby's had filed a 10-Q financial report with the SEC stating that as of Aug. 7, it had outstanding guarantees totaling $274.9 million. (Guarantees are the amounts promised by the auction house to consignors, whether or not the bidding actually achieves those amounts.)
Today it has filed an 8-K (click on Aug. 23) stating that its guarantees now total $378.1 million on property whose mid-range presale estimates total $400.2 million. What's more, the auction house has made additional offers of guarantees to potential consignors that, if contractually finalized, would up its guarantees to a total of about $475 miillion---just $25 million shy of its "outstanding auction guarantee limit" of $500 million, which was set by its board earlier this month. In the first half of this year, the largest amount of total guarantees outstanding at any one time was $326 million.
The report further states:
The current limit was established after assessing the performance of the Company's auction guarantees in the first six months of 2007 and further reviewing the last 14 years of auction guarantee experience. In each year during that 14-year period, as well as the first six months of 2007, the Company has realized a profit on its auction guarantee portfolio. For the year ended 2006 and for the six months ended June 30, 2007, approximately 16% of Net Auction Sales have consisted of property subject to auction guarantees.
But past performance is no guarantee of future results in these economically dicey times and (as I reported in my above-linked post about the 10-Q) Sotheby's return from guarantees declined $9.2 million in the first half of 2007, compared to the first half of 2006. (The house pockets a big chunk of any excess above the guaranteed amount.) The auction house has thus far advanced $53.7 million to consignors who took the guarantee bait for upcoming sales.
In less surprising news, Sotheby's has just followed Christie's lead in increasing to 25% (from 20%) the commission charged to buyers on hammer prices up to $20,000.
Privately held Christie's does not report the amount of its guarantees to consignors, but on July 3, before the credit crisis hit, Bloomberg quoted an assertion by CEO Edward Dolman that "we have never had as much consigned by this time of year before. Everybody realizes the market is very strong and they want to sell into it''...
...or cash out of it?
CORRECTION: I previously (and erroneously) reported that Bloomberg had reported Sotheby's buyers premium hike but not its gargantuan guarantees. I stand corrected (and chastened).
Categories:
About
KEEP CULTUREGRRL BLOGGING! Please Contribute (Secure transaction via PayPal): (You do not need to have your own PayPal account: Click the "continue" link at lower left of the donation page.)
ADVERTISE on CultureGrrl MUSEUMS, GALLERIES, AUCTION HOUSES, ART PUBLICATIONS, ARTS PROGRAMS---Please go here and click the "CultureGrrl" box to place an ad. For more information on advertising, e-mail here. more
LEE ROSENBAUM
I'm a veteran cultural journalist who writes frequently for the Wall Street Journal's "Leisure & Arts" page. I've been a regular cultural contributor on New York Public Radio (WNYC). I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at Columbia Law School, the University of Iowa and the annual conference of the Museum Association of New York, and on museum governance and cultural property issues at Seton Hall University. more
Contact me
Click here to send me an email...
moreBlogroll
About Last Night
Art History Newsletter
Art Law Blog
Art Observed
The Art Tribune (France)
Artblog.net
Articulations (Smithsonian)
Artopia
Design Observer
A Don's Life
Edward Lifson
Exhibitionist (Boston)
Eye Level (SAAM)
Foot in Mouth (dance)
Greg.org
LA Observed (Los Angeles)
Looking Around (Time)
Looting Matters
Modern Kicks
New Curator
NewYorkology--Architecture
NewYorkology--Museums
NYC Opera Fanatic
Opera Chic
Slog (Seattle)
Tropolism
Walker
AJ Ads
AJ Arts Blog Ads
Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.
Advertise Here
AJ Blogs
AJBlogCentral | rssculture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Laura Collins-Hughes on arts, culture and coverage
Richard Kessler on arts education
Douglas McLennan's blog
Dalouge Smith advocates for the Arts
Art from the American Outback
For immediate release: the arts are marketable
No genre is the new genre
David Jays on theatre and dance
Paul Levy measures the Angles
Judith H. Dobrzynski on Culture
John Rockwell on the arts
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
jazz
Howard Mandel's freelance Urban Improvisation
Focus on New Orleans. Jazz and Other Sounds
Doug Ramsey on Jazz and other matters...
media
Jeff Weinstein's Cultural Mixology
Martha Bayles on Film...
classical music
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Harvey Sachs on music, and various digressions
Bruce Brubaker on all things Piano
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Norman Lebrecht on Shifting Sound Worlds
publishing
Jerome Weeks on Books
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Wendy Rosenfield: covering drama, onstage and off
Chloe Veltman on how culture will save the world
visual
Public Art, Public Space
Regina Hackett takes her Art To Go
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog

Leave a comment