No News is Good News for the NY Times Public Editor
My doubts about whether the chief source for the NY Times' Afghanistan antiquities article yesterday was adequately vetted for reliability made me think again about the lamentable three-week silence of the paper's new public editor, Clark Hoyt.
My concern for his (and his mission's) welfare prompted me to reread the the May 4 official announcement of his appointment, where I discovered these discouraging words:
Mr. Hoyt will publish periodic commentaries about The Times's journalistic practices and current journalistic issues in general, to appear when he believes they are warranted [emphasis added]. His column will run in the Week in Review section.
What column?
I guess there's just been nothing much to say lately about the Times' "journalistic practices and current journalistic issues in general." Am I the only Times-ologist who used to eagerly anticipate the essay by the public editor (or readers' responses to his essay), published every Sunday in the "Week in Review"?
In the May 4 announcement of Hoyt's appointment, Bill Keller, the paper's executive editor, was quoted as saying:
We expect him [Hoyt] to hold us accountable to our own standards, to serve as an advocate for the interests of readers, and to give readers an independent eye into the workings of this great news organization.
But not too often.
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CULTUREGRRL SPEAKS on museum issues and ethics, arts journalism.
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LEE ROSENBAUM I'm a veteran cultural journalist with many pieces in the New York Times, Wall Street Journal and major art magazines. I have been a cultural contributor on New York Public Radio (WNYC and WQXR) and have provided arts commentary on NPR and public radio stations in Philadelphia and Los Angeles. I am a HuffPost Arts writer. I've been profiled on the PBS NewsHour with Jim Lehrer's Art Beat and in the Chicago Reader. I've appeared as an art-market commentator on BBC-TV and have published numerous Op-Ed pieces in the New York Times and Los Angeles Times. I am author of The Complete Guide to Collecting Art (Knopf) and have lectured on cultural property issues at the New Acropolis Museum and the University of Pennsylvania, on deaccessioning at at Investigative Reporters and Editors 2011 Annual Meeting, Columbia Law School, the University of Iowa and a conference of the Museum Association of New York, on museum governance and cultural property issues at Seton Hall University, on arts blogging at American University and on Smithsonian exhibition controversies at Rutgers University.
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