Awesome Auctions: What Does It All Mean?

This is the moment when art-market observers are called upon to tell the astonished public how to regard seemingly extravagant expenditures for paint on canvas.

We hear such insights as: "Art is worth what people are willing to pay for it." "There are lots of very wealthy people who want art." And that favorite question of party-pooping pundits: "When is the bubble going to burst?"

The best take on the past two weeks that I've seen thus far comes from veteran art writer Martin Gayford in today's Bloomberg, who opines:

Has the art world gone crazy?

Perhaps, but it isn't anything new. There are those who would say art prices parted company with sanity some time ago....

There is, inevitably, the shock expressed by those who feel that the crudity of finance sullies the purity of art....The appropriate response to such concerns is phooey.

To which I would only add that while the shocked response of the general public over the excesses of the super-rich is a time-honored tradition, there IS something new about the current bull market in art---that it's continued so strong for so long.

Just about every veteran art-market observer (myself, to my profound embarrassment, included) has been predicting for quite some time that the "bubble" was about to burst.

The question we now must ponder is whether there is a real sea change in the art market: Will there always be enough masterpiece-minded money around, somewhere in the world, to support prices at current or higher levels?

I'll have to leave that question to the economists. What I do know is that if a correction does come, the auction-house specialists had better be prescient in anticipating it. Price guarantees and other forms of leverage work to the houses' advantage in a bull market, which is why all the hand-wringing in the press about the risks they took this season proved to be hogwash.

But if the market heads south, the bull market-driven presale estimates and the financial risks of loans and guarantees suddenly become very dangerous. We've seen this happen before. It's always tempting to believe that the good times will roll forever. That belief has always proven wrong.

The auction-house experts had better have their ears to the ground and their hands ready to pull the emergency brake.

May 18, 2007 10:22 AM | | Comments (0)

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Me Elsewhere

Highlights from my writings and broadcasts: 


MY BOOK
The Complete Guide to Collecting Art (Knopf)

IN THE MAINSTREAM MEDIA
NY TIMES OP-EDS:
For Sale: Our Permanent Collection (museum deaccessions)
Fashion Victim (Chanel at the Met)
Destroying the Museum to Save It (Barnes Foundation)
Reassembling Sundered Antiquities (Parthenon marbles)

WALL STREET JOURNAL:
Los Angeles' New Broad Museum of Contemporary Art
Philadelphia's New Perelman Building
The Walton Effect: Art World Is Roiled by Wal-Mart Heiress

Tricks of the Auction Trade

The Seattle Art Museum: A Work in Progress

Upside Down and Backward, Yet Tame (Boston ICA)
Edith Wharton's Library Is Now an Open Book
Extreme Makeover: Smithsonian Edition (American Art and Portrait Gallery renovation)
This Museum's Expansion is Simply Effective (Minneapolis Institute)
Truth in Booty: Coming--and Staying--Clean (antiquities controversies)
A Betrayal of Trust (NY Public Library's art sales)
The Lost Museum (MoMA's art sales)
Endangered Species (single-collector jewel-box museums)
Money in Motion (the Guggenheim's finances)
The Fine Art of Genocide? (appraisals of Hitler's art)

LA TIMES OP-EDS:
Make Art Loans, Not War
Museums Can't Compete (public collecting endangered)

ART IN AMERICA:
Refreshing the Smithsonian (the renovated SAAM and NPG)
The Atrium That Ate the Morgan (Renzo Piano's addition)
Hot Pots and Potshots (controversies over museum antiquities)
Musings on Museums (book review of "Whose Muse?")

NATIONAL PUBLIC RADIO:
Criticism of AAM's Cultural Diplomacy Initiative

NEW YORK PUBLIC RADIO:
Guggenheim Director Steps Down
Philippe de Montebello's Retirement
Fall '07 Art Auctions
Metropolitan Museum's "Age of Rembrandt" Show
Commentary on the Art Market
Tour of Sculpture Gardens, with Slideshow
Audio Commentary on the Met's New Greek and Roman Galleries
Glenn Lowry's Unorthodox Compensation Package
Commentary on the Art Market

PHILADELPHIA PUBLIC RADIO:
Museums' Purchase and Sale of Eakins' Works (about one-third of the way into the program)
Pennsylvania Academy of the Fine Arts' sale of Eakins' "The Cello Player"

BBC-TV:
Impressionist/Modern Auction at Sotheby's

more of me elsewhere

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About this Entry

This page contains a single entry by CultureGrrl published on May 18, 2007 10:22 AM.

Megabucks Auction Bloopers: At Those Levels, Who's Counting? was the previous entry in this blog.

Albright-Knox Gallery's Auction Coups is the next entry in this blog.

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